Harvard Art Museums,
32 Quincy Street
Lights (Body): Rhythm on Camera is a three-part film and video series accompanying the exhibition Folding, Refraction, Touch: Wolfgang Tillmans in Dialogue with Modern and Contemporary Art. The series will feature short film and video works made between 1921 and 2015 in which artists use experimental techniques to explore relationships between sound and image, foregrounding abstraction, movement, color, sex, and the body.
This series is programmed by Olivia Crough, Ph.D. candidate in the Department of Visual and Environmental Studies, Harvard University.
About today’s program:
Choreography for Camera
Hand Movie, 1966 (8mm on video; 6:00 min.)
Body Tape, 1970 (video; 3:30 min.)
Sara Kathryn Arledge
Introspection, 1941 (16mm; 7:00 min.)
A study in choreography for camera, 1945 (16mm; 4:00 min.)
The Very Eye of Night, 1958 (16mm; 15:00 min.)
Breakaway, 1966 (16mm; 5:00 min.)
(Entlastungen) Pipilottis Fehler ([Absolutions] Pipilotti’s Mistakes), 1988 (video; 11:00 min.)
The screening will take place in Menschel Hall, Lower Level. Please enter the museums via the entrance on Broadway.
Following the screening, Tillmans galleries will be open until 8 p.m.
Complimentary parking available in the Broadway Garage, 7 Felton Street, Cambridge.
Support for this program is provided by the Richard L. Menschel Endowment Fund. Modern and contemporary art programs at the Harvard Art Museums are made possible in part by generous support from the Emily Rauh Pulitzer and Joseph Pulitzer, Jr., Fund for Modern and Contemporary Art.
The Folding, Refraction, Touch exhibition is made possible by the Charles L. Kuhn Endowment Fund.