Painting Edo: Japanese Art from the Feinberg Collection

, Special Exhibitions Gallery, University Research Gallery, University Teaching Gallery, University Study Gallery, Harvard Art Museums
  • Standing Courtesan
  • Tribute Bearers to the Chinese Emperor
  • Mount Fuji
  • Moons of the Four Seasons
  • Pine Trees in Snow
  • Birds and Flowers of the Twelve Months
  • Wisteria, Violets, and Fiddle-head Ferns
  • Fan with Design of Mount Fuji and Mount Tsukuba
  • Autumn in the Yoshiwara
  • Cherry Blossom Celebrations
  • The Parrot King
  • Jittoku, Puppies and Hotei
  • Celebration at the Entrance of the New Yoshiwara
  • Mount Fuji, Miho Pine Forest, and Seikenji Temple
  • Old Trees in Lonely Springtime
  • Landscape in a Rainstorm
  • Early Evening at a Yoshiwara Inn
  • Egrets and Kingfisher Amongst Lotus
  • Grasses and Moon
  • The First and Second Poetic Expositions on the Red Cliff
  • Cranes
  • Fish and Turtles in Water
  • Flowers of the Four Seasons
  • Pines of Miho
  • Race at Uji River
  • Ink Landscape
  • Taira no Tsunemasa Playing the Biwa at Tsukubusuma Shrine
  • Tiger in a Rainstorm
  • Seated Beauty Inscribing a Poem on a Tanzaku
  • Kabuki Actor Segawa Kikunojo III in 'Musume Dojoji'
  • Courtesan
  • Crossing a Mountain Stream by a Bridge
  • A Portuguese Trading Ship Arrives in Japan
  • Descriptions of Broken Branches: Flowers, Birds and Insects of the Four Seasons
  • Poetry Gathering at the Lanting Pavilion
  • Lone Traveler in Wintry Mountains
  • Visiting the Thatched Cottage in the Bamboo Grove
  • Chinese Landscape
  • Morning Glories
  • Thistles
  • Minamoto no Yorimasa Aiming an Arrow
  • Fan Paintings of Flowering Plants
  • Waves at Matsushima
  • Views of Lake Biwa at Sakamoto
  • Wild Chinese Roses Dipping into a Pond
  • Waterfall and Pines
  • Lotus in Autumn
  • Precipitous Rocks and Rushing Water
  • Lotus Pond
  • Landscape with the Three Friends
  • The Poet Su Shi and Meng Jia Loses His Hat
  • Dragon in a Storm
  • The Immortal Li Tieguai
  • Kanbun Beauty
  • Landscapes of the Four Seasons
  • Peach Blossom Spring
  • A Thousand Mountains in Deep Verdure
  • The Ivy Way through Mount Utsu
  • Pampas Grass and Arrowroot in Fall
  • Flowers of the Four Seasons
  • Harvesting Bamboo Shoots in Winter
  • Lilies
  • Triptych: Snowy Tree, Moon and Cherry
  • Flowers of a Hundred Worlds (Momoyogusa)
  • Deer Washing a Fawn
  • Bamboo on a Stormy Day
  • Peacock and Peonies
  • Quiet Pleasure in the Mountains
  • A Sense of Rain in Blue Mountains
  • The Four Accomplishments
  • Horse Racing at Kamigamo and Iwashimizu Shrines
  • Arashiyama in Spring and Mount Takao in Autumn
  • Seven Chinese Immortals
  • One Hundred Designs by Ogata Kōrin (Kōrin hyakuzu) in 2 volumes
  • Ukifune Chapter from Genji Monogatari
  • Old Pine
  • Fans of the Twelve Months
  • White Chrysanthemums and Snow-covered Reeds
  • Sparrows Alighting on Wisteria
  • Autumn Flowers
  • Wang Ziyou Visiting Dai Andao and A Visit to Li Neng's Secluded Dwelling
  • Landscape
  • Maple Trees
  • Chinese Musicians
Special Exhibitions Gallery, University Research Gallery, University Teaching Gallery, University Study Gallery, Harvard Art Museums

Painting Edo — one of the largest exhibitions ever presented at the Harvard Art Museums — offers a window onto the supremely rich visual culture of Japan’s early modern era. Selected from the unparalleled collection of Robert S. and Betsy G. Feinberg, the more than 120 works in the exhibition connect visitors with a seminal moment in the history of Japan, as the country settled into an era of peace under the warrior government of the shoguns and opened its doors to greater engagement with the outside world. The dizzying array of artistic lineages and studios active during the Edo period (1615–1868) fueled an immense expansion of Japanese pictorial culture that reverberated not only at home, but subsequently in the history of painting in the West.

By the early 18th century, the new shogunal capital of Edo (present-day Tokyo) was the largest city in the world. After centuries of conflict and unrest, the growing stability and affluence of the period encouraged an efflorescence in the arts. Artists creatively juxtaposed past and present, eternal and contingent, elegant and vulgar in a wide range of formats and styles, from brilliant polychrome compositions to monochromatic inkwork. Painting Edo explores how the period, and the city, articulated itself by showcasing paintings in all the major formats—including hanging scrolls, folding screens, sliding doors, fan paintings, and woodblock-printed books—from virtually every stylistic lineage of the era, to tell a comprehensive story of Edo painting on its own terms.

An illustrated publication accompanies the exhibition. Painting Edo: Selections from the Feinberg Collection of Japanese Art is a sweeping and lavishly illustrated overview of a transformative era in Japanese art-making as told through highlights from the finest private collection of Edo period painting in the United States.

Robert and Betsy Feinberg have generously promised their collection of over three hundred works of Japanese art to the Harvard Art Museums. Judiciously assembled over more than four decades, the collection offers an exceptional opportunity to explore continuities and disruptions in artistic practice in early modern Japan. The stewardship of the collection by the museums ensures access by students, faculty, scholars, and the public, and allows for teaching, research, and further documentation of these important works.

Organized by the Harvard Art Museums. Curated by Rachel Saunders, Abby Aldrich Rockefeller Associate Curator of Asian Art, Harvard Art Museums; with Yukio Lippit, Professor of History of Art and Architecture, Harvard University.

This project was made possible by the Robert H. Ellsworth Bequest to the Harvard Art Museums, the Melvin R. Seiden and Janine Luke Fund for Publications and Exhibitions, the Catalogues and Exhibitions Fund for Pre-twentieth Century Art of the Fogg Museum, the E. Rhodes and Leona B. Carpenter Foundation, the Thierry Porté Director’s Discretionary Fund for Japanese Art, and the Japan Foundation.

The catalogue was funded by the Harvard Art Museums Mellon Publication Funds, including the Henry P. McIlhenny Fund.

Related programming is supported by the M. Victor Leventritt Lecture Series Endowment Fund as well as Harvard University’s Edwin O. Reischauer Institute of Japanese Studies and the History of Art and Architecture’s Rockefeller Fund.