- Gallery Text
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Bauhaus artists and designers sought to revolutionize society by radically reshaping the environments in which people lived. The objects in this case, products of the school’s metal, pottery, and carpentry workshops, reflect innovative approaches to the design of everyday household items—from the minimalist rethinking of the ornate tea glasses of eastern Europe to the transformation of chess pieces into pure geometric form. The design of decorative art objects at the Bauhaus was as strongly informed by modern artistic theories as the paintings and sculpture produced there. The table lamp, for example, made in the metal workshop when the constructivist artist László Moholy-Nagy served as its director, explores the circular form in three dimensions: as a disk, cylinder, and sphere. Now considered an icon of Bauhaus design, in 1924 the lamp failed to achieve the Bauhaus goal of creating objects well suited for industrial production, due to its high fabrication cost. Relatively few Bauhaus objects were mass-produced, in fact, despite the school’s efforts to establish partnerships with industry. The objects’ extreme modernity and frequently high prices made them less appealing to the general public and relatively uncommon outside the homes of artists and intellectuals and the Bauhaus buildings.
- Identification and Creation
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- Object Number
- BR56.253.A-FF
- People
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Josef Hartwig, German (Munich, Germany 1880 - 1955 Frankfurt am Main, Germany)
- Title
- Set of 32 Chess Pieces
- Classification
- Recreational Artifacts
- Work Type
- game
- Date
- 1922
- Culture
- German
- Persistent Link
- https://hvrd.art/o/50208
- Location
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Level 1, Room 1520, Modern and Contemporary Art, Art in Germany Between the Wars
View this object's location on our interactive map - Physical Descriptions
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- Medium
- Wood and felt
- Dimensions
- 33.02 x 33.02 x 8.26 cm (13 x 13 x 3 1/4 in.)
- Acquisition and Rights
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- Credit Line
- Harvard Art Museums/Busch-Reisinger Museum, Gift of Julia Feininger
- Copyright
- © Josef Hartwig / Artists Rights Society (ARS), New York
- Accession Year
- 1956
- Object Number
- BR56.253.A-FF
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
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- Publication History
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Leah Dickerman and Barry Bergdoll, Bauhaus 1919-1933: Workshops for Modernity, exh. cat., ed. David Frankel, Museum of Modern Art, New York (New York, 2009)
- Exhibition History
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Bauhaus 1919-1933: Workshops for Modernity, Museum of Modern Art, New York, New York, 11/08/2009 - 01/25/2010
32Q: 1520 Art in Germany Between the Wars (Interwar and Bauhaus), Harvard Art Museums, Cambridge, 11/16/2014 - 12/10/2018; Harvard Art Museums, Cambridge, 08/05/2019 - 01/01/2050
The Bauhaus and Harvard, Harvard Art Museums, Cambridge, 02/08/2019 - 07/28/2019
- Subjects and Contexts
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The Bauhaus
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This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu