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Identification and Creation

Object Number
2019.7.41
People
Otto Piene, German (Laasphe, Westphalia, Germany 1928 - 2014 Berlin, Germany)
Title
Untitled (bleed-through of previous page and notes, left page); Untitled (notes and adhered photocopy, right page)
Other Titles
Series/Book Title: Sketchbook: Honolulu/Food Show/Boston
Classification
Drawings
Work Type
drawing, sketchbook page
Date
1974
Persistent Link
https://hvrd.art/o/374941

Physical Descriptions

Medium
Colored marker, black pen, b/w photocopy, and adhesive on paper
Dimensions
open (approx.): 39.2 × 55.9 cm (15 7/16 × 22 in.)
Inscriptions and Marks
  • inscription: Left page, in black pen:: X-16-74 // . . . voting repeated upon my / realizing that previous voting / was questionable to to mis- / interpretation of the commonly / communly agreed-upon voting / rules by one or two of the participants / New and final results: / WATERFALL / 1. Michio / 2. Otto / 3. Luis/Maryanne / 4. Lowry / POOLS / 1. Otto / Alejandro / 3. Juan / Keiko / Luis/Maryanne
  • inscription: Right page, in black pen:: After presentation on X - 16 - 74 / to Wayne Anderson / next stop wil be / presentation to him and / the architects (preferably next / week) / X - 17 - 74, / P.
  • inscription: Right page, on photocopy:: Fellows involved in the Federal Reserve Bank Project / Michio / Otto / Luis/Maryanne / Alejandro / Juan / Keiko / Waterfall / Michio / Otto / Luis/Maryanne / Lowry / Pool / Otto / Alejandro / Juan / Keiko / Luis/Maryanne

Provenance

Recorded Ownership History
Elizabeth Goldring Piene, gift; to the Busch-Reisinger Museum, 2018.

Acquisition and Rights

Credit Line
Harvard Art Museums/Busch-Reisinger Museum, Gift of Elizabeth Goldring Piene
Copyright
© Otto Piene Estate
Accession Year
2019
Object Number
2019.7.41
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Descriptions

Description
Pages 81-82

Subjects and Contexts

  • Animating the Page

Related Works

Verification Level

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu