Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
2019.207
People
Augustin de Saint-Aubin, French (Paris 1736 - 1807 Paris)
Title
The Last Hour of Baroness Rebecque
Other Titles
Original Language Title: Dernier heure de la Baronne de Rebecque
Classification
Prints
Work Type
print
Date
1780
Culture
French
Persistent Link
https://hvrd.art/o/364466

Physical Descriptions

Medium
Etching and engraving on cream antique laid paper
Technique
Etching and engraving
Dimensions
plate: 26.4 × 21.3 cm (10 3/8 × 8 3/8 in.)
sheet: 42.8 × 31.2 cm (16 7/8 × 12 5/16 in.)
Inscriptions and Marks
  • inscription: in plate, around top of roundel: Dernier Heure de LA BARONNE DE REBECQUE. Morte à 36 Ans
  • inscription: in plate, around bottom of roundel: Sa vertu, sa raison, son heureux caractère, / Jamais un seul instant ne se sont démentis: / Hélas! faut-il pleurer une Amie aussi chere / Au moment où ces Dons étoient si bien sentis?
  • collector's mark: below plate mark, blind stamp: DE GONCOURT. [Edmond and Jules de Goncourt; Lugt 1089]
  • inscription: verso, lower left, graphite: 438 / 741[?]
  • inscription: verso, lower center, graphite: B. 232
  • collector's mark: verso, brown ink: JM [Julius Model; Lugt 1488a]
  • watermark: crown above a circle

Provenance

Recorded Ownership History
Edmond and Jules de Goncourt (Lugt 1089), sold [through their sale, Hotel Drouot, Paris, commissaire-priseur Duchese, April 26-28, 1897, lot 468]; to Danlos. Julius Model (Lugt 1488a), sold [through C. G. Boerner, Leipzig, May 13-15, 1929, lot 741]. [N. G. Stogdon, New York], sold; to Victor Carlson, 1988, bequest; to Harvard Art Museums, 2019

State, Edition, Standard Reference Number

State
iii/iii
Standard Reference Number
Bocher 232

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Victor I. Carlson
Accession Year
2019
Object Number
2019.207
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

  • Gravures du XVIIIe Siècle, Pièces imprimées en noir & en couleur, auct. cat., Hôtel Drouot (Paris, April 26-28, 1897), p. 44, lot 438
  • Victor Carlson and John Ittmann, Regency to Empire: French Printmaking, 1715-1814, exh. cat., Baltimore Museum of Art (Baltimore, 1984), pp. 224-225, cat. no. 75 [related bibliography, not Harvard impression]

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu