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Identification and Creation

Object Number
2022.264
Title
Todi Ragini
Classification
Paintings
Work Type
painting, album page
Date
late 18th-early 19th century
Places
Creation Place: South Asia, India, Rajasthan, Mewar
Culture
Indian
Persistent Link
https://hvrd.art/o/364324

Physical Descriptions

Medium
Opaque watercolor and gold on paper
Dimensions
H. 31 × W. 23 cm (12 3/16 × 9 1/16 in.)

Provenance

Recorded Ownership History
[Charles D. Kelekian, New York (by 1952-1982)], by descent; to [Kelekian Associates, New York (1982-1992)], by descent; to Nanette Rodney Kelekian, New York (1992-2021), bequest; to the Harvard Art Museums.

NOTE:
"Kelekian Associates" was formed at the death of Charles D. Kelekian by Nanette Rodney Kelekian and her mother Beatrice Kelekian. Upon Beatrice Kelekian’s death in 1992, ownership passed to Nanette Rodney Kelekian.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Nanette B. Kelekian
Accession Year
2022
Object Number
2022.264
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Description
Contained within a border of lotus blossoms is a scene in which a young female figure, the Todi Ragini, sits in the fork of a tree. She wears a gold skirt, cropped top, and a shawl that is draped over her head, her long black hair peeking out from underneath. She extends her right hand proper to a male black buck, which approaches with three female black bucks. Two female attendants stand near the tree, one of whom carries a "veena", a South Asian stringed instrument. A narrow, silvery stream runs across the foreground. The background is composed of bands of landscape in several shades of green, treetops, and a large, silvery band of river. At the top left are the rooftops of small buildings, and at the right is a fortified wall encircling a white palatial structure. Written twice on the reverse in Arabic script are the words “ragini todi.”

Verification Level

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu