2014.319: Pen Box with Holy Family and Female Portrait Medallions
Artists' Tools
This object does not yet have a description.
Identification and Creation
- Object Number
- 2014.319
- People
-
Najaf `Ali
- Title
- Pen Box with Holy Family and Female Portrait Medallions
- Classification
- Artists' Tools
- Work Type
- pen box
- Date
- 1848-1849
- Places
- Creation Place: Middle East, Iran
- Period
- Qajar period
- Persistent Link
- https://hvrd.art/o/351815
Physical Descriptions
- Medium
- Opaque watercolor, gold-colored pigments, and lacquer on pasteboard
- Dimensions
- 3.9 × 3.9 × 22.1 cm (1 9/16 × 1 9/16 × 8 11/16 in.)
- Inscriptions and Marks
-
-
inscription:
يا شاه نجف۱۲۶۵
O Lord of Najaf! 1848-49
-
inscription:
Provenance
- Recorded Ownership History
-
Ezzat-Malek Soudavar, Geneva, Switzerland (by 2014), by descent; to her son Abolala Soudavar, Houston, Texas (2014), gift; to Harvard Art Museums, 2014.
Note:
Ezzat-Malek Soudavar (1913-2014) formed this collection over a period of sixty years. She purchased the works of art on the international art market.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of A. Soudavar in memory of his mother Ezzat-Malek Soudavar
- Accession Year
- 2014
- Object Number
- 2014.319
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Descriptions
- Description
- Cover and sliding compartment with rounded ends. The top is decorated in horizontal format with three cartouches framed in gold scrollwork all set against a black background filled with floating bouquets of flowers. In the center, the Holy Family is depicted with female attendants and an angel. On the left and right are portrait busts of European women with candlestick curls and flowers in their hair. The sides are composed in the same manner, but the central cartouches contain scenes of fortified towns by a shore. The base of the cover and sides of the sliding compartment bear gold arabesques on a black ground.
Publication History
- Massumeh Farhad and Mary McWilliams, ed., A Collector’s Passion: Ezzat-Malek Soudavar and Persian Lacquer, Harvard Art Museums and Freer/Sackler Galleries, Smithsonian Institution (Cambridge, MA/Washington, D.C., 2017), p. 127, cat. 85
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu