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Gallery Text

The profusion of repetitive lines in this large-scale work by the reclusive Kyoto-based painter and theorist Nakabayashi Chikutō creates the illusion that the entire landscape is softly swaying. Although there are few signs of human activity, the scene is not entirely uninhabited: a contemplative figure is visible in one of the structures on the lakeshore in the left panel, and a man wearing a long-sleeved robe and holding a staff appears on the bridge at the bottom of the right panel. The latter is depicted walking, yet he is rendered with such economy that it almost appears as if he is the only element of the picture that is still. The elegant visual dissonance between the scholar and his surroundings marks this figure as a possible proxy guide to the uncanny, dreamlike landscape.

Identification and Creation

Object Number
TL42570.10
People
Nakabayashi Chikutō 中林竹洞, Japanese (Nagoya 1776 - 1853)
Title
Chinese Landscape
Classification
Paintings
Work Type
screen, painting
Date
c. 1815
Places
Creation Place: East Asia, Japan
Period
Edo period, 1615-1868
Culture
Japanese
Persistent Link
https://hvrd.art/o/340373

Location

Location
Level 2, Room 2600, East Asian Art, East Asian Painting and Decorative Arts
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Physical Descriptions

Medium
Two-panel folding screen; ink and light color on paper
Dimensions
painting proper: H. 154 × W. 169.4 cm (60 5/8 × 66 11/16 in.)
overall, flexed open at 160-degree angle: H. 170.8 × W. 175.3 cm (67 1/4 × 69 in.)
Inscriptions and Marks
  • seal: upper; square, intaglio: 成昌之印 [Nariaki (Seishō) no in]
  • seal: lower; square, intaglio: 字伯明 [Azana Hakumei]
  • signature: 竹洞山人寫 [Painted by Chikutō Sanjin]

Acquisition and Rights

Credit Line
Promised gift of Robert S. and Betsy G. Feinberg
Object Number
TL42570.10
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Publication History

  • Rachel Saunders, ed., Catalogue of the Feinberg Collection of Japanese Art, brochure, Harvard Art Museums (Cambridge, 2021), pp. 41-45, cat. 28

Exhibition History

Subjects and Contexts

  • Google Art Project

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu