- Identification and Creation
- Object Number
Kerry James Marshall, American (Birmingham, Alabama born 1955)
- Work Type
Level 3, Room 3620, University Study Gallery
View this object's location on our interactive map
- Physical Descriptions
- Acrylic on PVC panel
- 184.79 x 155.58 x 10.16 cm (72 3/4 x 61 1/4 x 4 in.)
- [Jack Shainman Gallery, New York], sold; to Harvard Art Museum, 2008.
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Richard Norton Memorial Fund and purchase through the generosity of Nancy B. Tieken
- © Kerry James Marshall
- Accession Year
- Object Number
- Modern and Contemporary Art
- The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.
Label Text: 32Q: 1120 Contemporary Art , written 2014
This work is a study in blackness. Gazing directly at the viewer, the subject embodies the role of creator, a privileged position memorialized in portraits from the Renaissance to the present. Marshall has connected this work to the cultural critic Langston Hughes’s famous 1926 essay, “The Negro Artist and the Racial Mountain,” which urged African American artists to embrace black culture, paint “Negro faces,” and eschew the aesthetics of “whiteness.” Marshall’s work answers Hughes’s call in part by placing abstraction — considered the great advancement of the Western avant-garde in the twentieth century — in a black context. The central figure, painted in a realist style, occupies a shallow space between planes created in different modes of abstraction — the painterly marks of the palette in the foreground and the linear ones formed by the wet edges of canvases leaving imprints on the wall behind him. In this way, Marshall renders abstraction as paradoxically incidental to the black artist’s process and yet central to the subject of this painting.
- Publication History
Kerry James Marshall: Being and Artist, website, Art21, Inc., 2008, ill.
Cate McQuaid, Contemporary art in the foreground at Harvard Art Museums, The Boston Globe (Boston, MA, November 1, 2014)
Helen Molesworth, ed., Kerry James Marshall: Mastry, exh. cat., Skira Rizzoli Publications, Inc., New York (New York, 2016), p. 179, pl. 53, ill. (color)
Carroll Dunham, "The Marshall Plan: Kerry James Marshall's 'Mastry'", Art Forum (New York, 2017), Vol. 55, No. 5, cover, Cover
- Exhibition History
Re-View: S118 European & American Art since 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 09/13/2008 - 04/09/2011
32Q: 1120 Contemporary Art, Harvard Art Museums, Cambridge, 11/01/2014 - 04/06/2016
Kerry James Marshall: Mastry, Museum of Contemporary Art, Chicago, Chicago, 04/23/2016 - 09/25/2016; The Met Breuer, New York, 10/25/2016 - 01/29/2017; Museum of Contemporary Art, Los Angeles, Los Angeles, 03/12/2017 - 07/02/2017
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at firstname.lastname@example.org