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Identification and Creation

Object Number
2013.163
People
Wan Qingli 萬青力, Chinese (Beijing 1945 - 2017)
Title
Clearing after Snow
Classification
Paintings
Work Type
painting, hanging scroll
Date
1983
Places
Creation Place: North America, United States, New York
Culture
Chinese
Persistent Link
https://hvrd.art/o/319287

Physical Descriptions

Medium
Hanging scroll; ink and color on paper, with artist’s inscription, dedication, signature, and seals
Dimensions
painting proper: 68 x 49.4 cm (26 3/4 x 19 7/16 in.)
full mounting: 192.2 x 71.5 cm (75 11/16 x 28 1/8 in.)
Inscriptions and Marks
  • Signed: Upper right, black ink: Your student, Wan Qingli, in New York (Chinese brush-written characters followed by a red seal reading "Wan")
  • inscription: brush-written in upper right of painting, translates as follows: "Clearing after Snow. The aim of my life is to find enjoyment in mountains and trees. I feel embarrassed to promote my painting reputation to people. I hid my scrolls, burned incense, and laid down a fresh piece of paper. The bright moon illuminated the drizzly night. I painted this in the summer of the guihai year [1983], as I was lonely after my arrival in a foreign country. Sending this to my teacher, Professor Chu-tsing, for his comment, and to his wife, Yaowen, for her amusement. Your student, Wan Qingli, in New York."
  • seal: three artist's seals: 1) Square red relief seal, following signature: "Wan"
    2) Square red intaglio pictorial seal, following first seal: "Shan"
    3) Square red relief informal seal, lower left corner: "Qingli you Mei suozuo"

Provenance

Recorded Ownership History
Wan Qingli, New York (1983), gift; to Chu-tsing Li, Lawrence, Kansas (1983-2012), gift; to his son B U.K. Li, Milwaukee, Wisconsin, (2012-2013), gift; to Harvard Art Museums, 2013.

Footnotes:
1. Dr. Chu-tsing Li (1920-2014)

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, The Chu-tsing Li Collection, Gift of B U.K. Li in honor of Chu-tsing Li and in memory of Yao-wen Kwang Li and Teri Ho Li
Copyright
© Estate of Wan Qingli
Accession Year
2013
Object Number
2013.163
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Description
Austerity and quietude pervade this landscape of angular forms with delicate lines for the barren trees and gentle shading on the massive, moonlit, snow-covered rocks and hills. Through rhythmic brushwork, the artist has created a structure of horizontals and verticals, layered to evoke a feeling of gentle movement.
Wan Qingli’s work reflects his diverse background and training. Growing up in Beijing, he learned classical poetry and painting from Li Keran (1907–1989) and from Lu Yanshao (1909–1993). Yet his self-expressive means reveal a propensity for synthesizing old and new. This landscape is markedly different from classical snowscapes. A feeling of starkness and modernity pervades the otherwise timeless mountain scene. Reflections in the icy water create an impression of moonlight, and the low vantage point suggests the artist’s experimentation with picture space.
The artist’s inscription alludes to painting on a moonlit, drizzly night and to his loneliness, since the work was painted while he was living in America. He dedicated the painting to his new teacher in America, Chu-tsing Li, and to his wife, Yao-wen Li.

Publication History

  • Robert D. Mowry and Claudia Brown, A Tradition Redefined: Modern and Contemporary Chinese Ink Paintings from the Chu-tsing Li Collection, 1950-2000, exh. cat., Harvard University Art Museums/Yale University Press (Cambridge, Mass., 2007), cat. 51

Exhibition History

  • A Tradition Redefined: Modern and Contemporary Chinese Ink Paintings from the Chu-tsing Li Collection, 1950-2000, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 11/03/2007 - 01/27/2008; Phoenix Art Museum, Phoenix, 06/28/2008 - 09/14/2008; Norton Museum of Art, West Palm Beach, 10/11/2008 - 01/04/2009; Spencer Museum of Art, Lawrence, 02/11/2009 - 05/24/2009

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu