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Identification and Creation

Object Number
2006.186
People
Robert Morris, American (Kansas City, Missouri 1931 - 2018 Kingston, NY)
Printed by Hollanders Workshop, New York
Published by Castelli Graphics and Hollanders Workshop, NY
Title
Five War Memorials
Classification
Prints
Work Type
print series
Date
1970
Culture
American
Persistent Link
https://hvrd.art/o/317579

Physical Descriptions

Technique
Lithograph
Dimensions
Each sheet: 61.6 x 107.95 cm (24 1/4 x 42 1/2 in.)
Inscriptions and Marks
  • Signed: Each print signed "R. Morris" and numbered "14/40" in graphite pencil
  • inscription: lower margins: Title of each print inscribed on lower center margin in graphite pencil (.1 "Trench with Chlorine Gas," .2 "Infantry Archive-To Be Walked on Barefoot," .3 "1/2 Mile Concrete Star with Names," .4 "Crater with Smoke," and .5 "Scattered Atomic Waste"). Each print also signed "R. Morris" and numbered "14/40".
  • blind stamp: compression, lower margin: Hollanders Workshop

State, Edition, Standard Reference Number

Edition
14/40
Standard Reference Number
Cherix 15-19

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Margaret Fisher Fund
Copyright
© Robert Morris / Artists Rights Society (ARS), New York
Accession Year
2006
Object Number
2006.186
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Descriptions

Description
Series of five lithographs.
Commentary
Robert Morris's "Five War Memorials" is a series of five imaginary proposals for a war memorial he formulated at the height of the Vietnam War, when he was deeply involved with protest activities. Morris shows the destruction of land under a threatening sky bearing the words "War Memorial"--titles of individual prints in the series include "Trench with Chlorine Gas" and "Crater with Smoke." The prints are a direct reaction to the bombing of Cambodia by the American army and the images invoke death through destruction of land as a metaphor of war. Morris became known in the 1960s as a minimalist sculptor and environmental artist. In 1970, the year this series was created, he was instrumental in the withdrawal of nearly half of the participating artists from the American pavilion of the Venice Biennale in protest against US policies in South-east Asia, and closed his exhibition at the Whitney Museum of American Art in protest as well. Morris also served as Chairman of "Art Strike Against Racism, War and Repression," a group that organized the closing of museums and galleries in New York for a day of protest in 1970. The War Memorials series is an eloquent example of art as political protest.

Related Works

Verification Level

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