Harvard Art Museums > 2007.39: Christ on the Cross Prints Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Christ on the Cross (Schelte Adamsz. Bolswert)(After Peter Paul Rubens) , 2007.39,” Harvard Art Museums collections online, May 07, 2024, https://hvrd.art/o/316180. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 2007.39 People Schelte Adamsz. Bolswert, Dutch (Bolsward, The Netherlands 1586 - 1659 Antwerp) After Peter Paul Rubens, Flemish (Siegen, Westphalia 1577 - 1640 Antwerp, Belgium) Title Christ on the Cross Classification Prints Work Type print Date 17th century Culture Dutch Persistent Link https://hvrd.art/o/316180 Physical Descriptions Technique Engraving Dimensions plate: 55.4 x 33 cm (21 13/16 x 13 in.) sheet: 56.5 x 34.2 cm (22 1/4 x 13 7/16 in.) Inscriptions and Marks Signed: l.l. Pet. Paul Rubens pinxit, S. a Bolfwert fculpsit l.r. Gillis Hendricx excudit inscription: inscription: graphite on accompanyng folder: £3 State, Edition, Standard Reference Number State ii Standard Reference Number H. 26 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Bequest of William S. Lieberman Accession Year 2007 Object Number 2007.39 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Descriptions Commentary Bolswert engraved numerous reproductive works after Flemish artists, including Gerhard Seghers, Anthony van Dyck, and Jacob Jordaens. Beginning in the 1630s, he produced at least eighty works after Peter Paul Rubens. Although only four were made with Rubens' explicit approval, Bolswert's painterly approach--using fine cross-hatching and dotted effects--made him a most effective translator of Rubens' paintings into print. Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu
