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Identification and Creation

Object Number
1965.111
People
Stuart Davis, American (Philadelphia, PA 1892 - 1964 New York, NY)
Title
Davits
Classification
Drawings
Work Type
drawing
Date
1932
Culture
American
Persistent Link
https://hvrd.art/o/308753

Physical Descriptions

Medium
Gouache over graphite on off-white wove paper
Dimensions
52.8 x 72.4 cm (20 13/16 x 28 1/2 in.)
Inscriptions and Marks
  • inscription: l.r., graphite, in artist's hand: DAVITS / 1932
  • inscription: verso, graphite: [sketch of square] 4 / 4 / 4 1/2 / hinged
  • exhibition label: removed from backing, now in curatorial file, paper, printed and typed: JURY ART EXHIBITION / LOS ANGELES COUNTY FAIR / POMONA, CALIF.
  • gallery label: removed from backing, now in curatorial file, paper, printed and typed: No. 79 [two labels with same information]

Provenance

Recorded Ownership History
[The Downtown Gallery, New York, New York], sold; to Paul J. Sachs, Cambridge, Massachusetts (L. 2091), 1951, bequest; to the Fogg Art Museum, 1965.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Meta and Paul J. Sachs
Copyright
© Estate of Stuart Davis / Artists Rights Society (ARS), New York, NY/VG Bild-Kunst, Bonn
Accession Year
1965
Object Number
1965.111
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Descriptions

Description
Pinholes at all corners.

Publication History

  • Los Angeles County Fair Exhibition: Contemporary Drawing, exh. cat., Los Angeles County Fair (Pomona, 1950), no. 41
  • Paul J. Sachs, Modern Prints and Drawings, Alfred A. Knopf, Inc. (New York, NY, 1954), repr. p. 207
  • E. C. Goossen, Stuart Davis, G. Braziller (New York, NY, 1959), p. 15, repr.
  • Sidney Simon and Emily S. Rauh, 20th Century Master Drawings, exh. cat., Fogg Art Museum (Cambridge, MA, 1963), no. 25, pl. 11
  • Max Kozloff, "Notes on the Psychology of Modern Draftsmanship", Arts Magazine (February 1964), ill. p. 61
  • Michel-Louis Cosnil, "Stuart Davis, Retrospective au Musée d'Art Moderne", Informations & Documents (March 1, 1966), no. 225, p. 44, repr. p. 43
  • Stuart Davis, exh. cat., Musée d'Art Moderne de la Ville de Paris (Paris, France, 1966), no. 20, repr.
  • Roberta Smith, "Drawing Now (and Then)", Artforum (April 1976), XIV, p. 56, repr. p. 55
  • Theodore E. Stebbins, Jr., American Master Drawings and Watercolors: A History of Works on Paper from Colonial Times to the Present, Harper & Row (New York, NY, 1976), p. 325, fig. 287
  • Twentieth-Century American Drawing: Three Avant-Garde Generations, exh. cat., Solomon R. Guggenheim Museum (New York, NY, 1976), no. 65, repr.
  • Graham, Gorky, Smith and Davis in the Thirties, exh. cat., David Winton Bell Gallery (Providence, RI, 1977), no. 33
  • Kenneth Baker, "Stuart Davis, All American", Boston Phoenix (May 9, 1978), ill. p. 10
  • John R. Lane, Stuart Davis: Art and Art Theory, exh. cat., Brooklyn Museum (Brooklyn, NY, 1978), cat. no. 21, repr.
  • Peter Selz and Dore Ashton, 2 Jahrzehnte amerikanische Malerei, exh. cat., Kunsthalle Düsseldorf (Düsseldorf, Germany, 1979), no. 109
  • Daniel M. Mendelowitz and Duane A. Wakeham, Mendelowitz's Guide to Drawing, Holt, Rinehart & Winston (New York, NY, 1982), repr. p. 35
  • Dynamic Impulse: The Drawings of Stuart Davis, exh. cat., Hollis Taggart Galleries (New York, 2007), p. 90
  • William C. Agee and Karen Wilkin, Stuart Davis: A Catalogue Raisonné. Catalogue Entries 1324-1749, ed. Ani Boyajian and Mark Rutkoski, Yale University Art Gallery and Yale University Press (U.S.) (New Haven, CT, 2007), vol. 2, no. 548, repr.
  • David Bindman, Suzanne Blier, and Vera Grant, ed., Art of Jazz: Form, Performance, Notes, exh. cat., Ethelbert Cooper Gallery of African and African American Art (Cambridge, MA, 2017), p. 50, ill. (b/w)

Exhibition History

  • Contemporary Drawings, Dallas Museum of Art, Dallas, 01/30/1949 - 02/20/1949
  • Los Angeles County Fair 1950 Exhibition: Contemporary Drawing, Los Angeles County Fair, Pomona, 09/15/1950 - 10/01/1950
  • Contemporary American Drawings, Currier Museum of Art, Manchester, 01/11/1956 - 02/26/1956
  • 20th Century Master Drawings, Solomon R. Guggenheim Museum, New York, 11/06/1963 - 01/05/1964; University of Minnesota Art Gallery, Minneapolis, 02/03/1964 - 03/15/1964; Fogg Art Museum, Cambridge, 04/06/1964 - 05/24/1964
  • A Retrospective Exhibition of the Paintings of Stuart Davis, Pennsylvania Academy of the Fine Arts, Philadelphia, 10/03/1964 - 11/08/1964
  • Stuart Davis Memorial Exhibition, Musée d'Art Moderne de la Ville de Paris, 75116 Paris, 02/15/1966 - 03/14/1966; Amerika Haus Gallery, Berlin, 04/23/1966 - 05/21/1966; American Embassy Gallery, London, London, 06/07/1966 - 06/24/1966
  • Twentieth Century American Drawing: Three Avant-Garde Generations, Solomon R. Guggenheim Museum, New York, 01/23/1976 - 03/23/1976; Staatliche Kunsthalle Baden-Baden, Baden-Baden, 05/27/1976 - 07/11/1976; Kunsthalle Bremen, Bremen, 07/18/1976 - 08/29/1976
  • Graham, Gorky, Smith and Davis in the 30s, David Winton Bell Gallery, Providence, 04/30/1977 - 05/22/1977
  • Stuart Davis: Art and Art Theory, Brooklyn Museum of Art, Brooklyn, 01/21/1978 - 03/19/1978; Fogg Art Museum, Cambridge, 04/15/1978 - 05/28/1978
  • 2 Jahrzehnte amerikanische Malerei, Städtische Kunsthalle Düsseldorf, Düsseldorf, 06/10/1979 - 08/12/1979; Kunsthaus Zürich, Zurich, 08/23/1979 - 10/28/1979; Palais des Beaux-Arts, Brussels, Brussels, 11/10/1979 - 12/30/1979
  • The Heavenly Twins: Edward W. Forbes, Paul J. Sachs and the Building of a Collection, Harvard University Art Museums, Cambridge, 09/23/1995 - 12/17/1995
  • Art of Jazz: Form, Harvard Art Museums, Cambridge, 01/23/2016 - 05/08/2016

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu