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Identification and Creation

Object Number
1942.55
People
John Singer Sargent, American (Florence, Italy 1856 - 1925 London, England)
Title
Gardens at Florence
Classification
Drawings
Work Type
drawing
Date
c. 1910
Culture
American
Persistent Link
https://hvrd.art/o/307834

Physical Descriptions

Medium
Transparent and opaque watercolor and graphite on off-white wove paper
Dimensions
36.5 × 53.5 cm (14 3/8 × 21 1/16 in.)
mat: 63.5 × 76.2 cm (25 × 30 in.)
frame: 67.6 × 80.3 × 2.9 cm (26 5/8 × 31 5/8 × 1 1/8 in.)
Inscriptions and Marks
  • Signed: brown ink,: l.l.: John S. Sargent-- Florence
  • inscription: verso of backing board, graphite: 889
  • inscription: verso of backing board, graphite: Garden in Florence
  • stamp: verso of backing board, blue ink, stamped: ROBERSON & CO / [ ]ONG ACRE / AND / [PI]CCADILLY / LONDON / [ ] COLOURMEN
  • inscription: l.l. of verso, graphite: #5296

Provenance

Recorded Ownership History
The artist to Scott and Fowles, New York, 1921; purchased by Grenville L. Winthrop, New York, 1922; his gift to the Fogg Art Museum, 1942.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Grenville L. Winthrop, Class of 1886
Accession Year
1942
Object Number
1942.55
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.

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Publication History

  • John Singer Sargent, His Own Work, exh. cat., Coe Kerr Gallery, Inc. (New York, NY, 1980), in checklist, unpaginated
  • Carl Little, The Watercolors of John Singer Sargent, University of California Press (Berkeley, CA, 1998), repr. pp. 100-101 (color)
  • Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2008), p. 332, cat. no. 349, reproduced in color
  • Richard Ormond and Elaine Kilmurray, John Singer Sargent: Figures and Landscapes, 1883-1899, Yale University Press (U.S.) (New Haven and London, 2010), p. 283 notes 1 and 2
  • Richard Ormond and Elaine Kilmurray, John Singer Sargent: Figures and Landscapes, 1900-1907, Yale University Press (U.S.) (New Haven and London, 2012), pp. 97, 98 (notes 1 and 2), 233
  • Richard Ormond and Elaine Kilmurray, John Singer Sargent: Figures and Landscapes, 1908-1913, Yale University Press (U.S.) (New Haven and London, 2014), no. 1645, repr., pp. 103 n. 1, 230-231, 379
  • Nina MacLaughlin, "Exhibition catalog essays explore the power of watercolors", Boston Globe (Boston, June 25, 2023), repr. p. N10
  • Brian T. Allen, "Harvard's Fogg Museum Comes Back to Life with a Glorious Watercolor Show", National Review (August 10, 2023), repr.
  • Joachim Homann, Margaret Morgan Grasselli, and Miriam Stewart, ed., American Watercolors, 1880–1990: Into the Light, exh. cat., Harvard Art Museums (Cambridge, 2023), pp. 57, 60-61, 88, repr. as fig. 3 on p. 57 [detail], as fig. 1 on p. 60 [detail], pl. 19 on p. 88

Exhibition History

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu