Harvard Art Museums > 1931.92: Study for Edith Foster Vickers (Mrs. Albert Vickers) Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Study for Edith Foster Vickers (Mrs. Albert Vickers) (John Singer Sargent) , 1931.92,” Harvard Art Museums collections online, May 07, 2024, https://hvrd.art/o/306522. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1931.92 People John Singer Sargent, American (Florence, Italy 1856 - 1925 London, England) Title Study for Edith Foster Vickers (Mrs. Albert Vickers) Classification Drawings Work Type drawing Date c. 1884 Culture American Persistent Link https://hvrd.art/o/306522 Physical Descriptions Medium Charcoal on off-white wove paper Dimensions 33.3 x 23 cm (13 1/8 x 9 1/16 in.) Inscriptions and Marks inscription: l.l., graphite: J. S. 37(?)3 Provenance Recorded Ownership History To the artist's sisters, Violet (Mrs. Francis) Ormond and Emily Sargent, at his death, 1925; their gift to the Fogg Art Museum, 1931. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of Miss Emily Sargent and Mrs. Francis Ormond in memory of their brother, John Singer Sargent Accession Year 1931 Object Number 1931.92 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History David McKibbin, Sargent's Boston, exh. cat., Museum of Fine Arts, Boston (Boston, MA, 1956), p. 127, Check List of Sargent's Portraits Richard Ormond and Elaine Kilmurray, John Singer Sargent: The Early Portraits, Yale University Press (New Haven, CT and London, England, 1998), pp. 133 - 135, repr. in b/w p. 135, fig. 63 Christine Temin, "Sargent Season", The Boston Globe Sunday Magazine (Boston, MA, June 27, 1999), ill. p. 16 Andrew Delbanco, Writing New England: An Anthology from the Puritans to the Present, Harvard University Press (Cambridge, MA/London, 2001), ill. p. 157 Alison Syme, A Touch of Blossom: John Singer Sargent and the Queer Flora of Fin-de-Siecle Art (University Park, PA, 2010), p. 77, fig. 60 Exhibition History Sargent in the Studio: Drawings, Sketchbooks, and Oil Sketches, Harvard University Art Museums, Cambridge, 06/10/1999 - 09/26/1999 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu
