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Identification and Creation

Object Number
1926.33.67
People
Charles Herbert Moore, American (New York, NY 1840 - 1930 Harley Witney, Hampshire, England)
After John Ruskin, British (London, England 1819 - 1900 Brantwood, England)
Title
Plan and Profile of Saxifrage, after Ruskin
Classification
Drawings
Work Type
drawing
Date
Jul 12 1876
Culture
American
Persistent Link
https://hvrd.art/o/306241

Physical Descriptions

Medium
Graphite, watercolor and white gouache on blue wove paper
Dimensions
27.2 x 38 cm (10 11/16 x 14 15/16 in.)
mount: 31.4 x 42 cm (12 3/8 x 16 9/16 in.)
Inscriptions and Marks
  • Signed: graphite, l.r.: 12th July 1876 C. H. M.
  • inscription: l.r., graphite, signed, in artist's hand: Saxifrage - from a drawing / by Ruskin in the Oxford Rudimentary / Series - 12th July, 1876, C. H. M.
  • inscription: mount, l.r., graphite: C. H. Moore

Provenance

Recorded Ownership History
Fine Arts Department, Harvard University, Cambridge, MA; transferred to Fogg Art Museum, 1926.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Transfer from the Fine Arts Department, Harvard University
Accession Year
1926
Object Number
1926.33.67
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Charles Herbert Moore, Catalogue, with Notes, of Studies and Fac-similes from Examples of the Works of Florence and Venice; and of Fac-similes and Original Works to be Used as Exercises in Drawing, Belonging to the Fine Arts Department of Harvard University, exh. cat. (Cambridge, MA, 1878), no. 61
  • Theodore E. Stebbins, Jr., Virginia Anderson, Melissa Renn, and Susan C. Ricci, The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, exh. cat., Harvard University Art Museums (Cambridge, MA, 2007), p. 48, fig. 17
  • Melissa Renn, "Deep Seers: John Ruskin, Charles Herbert Moore and the Teaching of Art at Harvard", Persistent Ruskin: Studies in Influence, Assimilation and Effect, ed. Keith Hanley and Brian Maidment, Ashgate Publishing (Surrey, England, 2013), pp. 137-155, pp. 148-49

Exhibition History

  • Studies and Fac-similes from Examples of the Works of Florence and Venice..., Harvard Art Club, Cambridge, 12/01/1878 - 12/31/1878

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu