H18: The Reverend Samuel Willard (1640-1707)
Paintings
This object does not yet have a description.
Identification and Creation
- Object Number
- H18
- People
-
Unidentified Artist
Samuel Willard (1640 - 1707)
- Title
- The Reverend Samuel Willard (1640-1707)
- Classification
- Paintings
- Work Type
- painting
- Date
- c. 1700-1707
- Places
- Creation Place: North America, United States
- Culture
- American
- Persistent Link
- https://hvrd.art/o/304847
Physical Descriptions
- Medium
- Oil on canvas
- Dimensions
-
73.6 x 63.8 cm (29 x 25 1/8 in.)
framed: 92.7 x 82.2 x 7 cm (36 1/2 x 32 3/8 x 2 3/4 in.) - Inscriptions and Marks
-
- label: frame, paper: Foster Brother/4 Park Square/Boston/Pictures and Frames/Order No. 66
- label: backing board (removed; see curatorial file): S.E. No. 2970.2/Museum of Fine Arts/ Boston, Massachusetts/Special Loan Exhibition/of/Samuel Sewall
Provenance
- Recorded Ownership History
- From the sitter to his daughter, Mrs. Abigail Treat; her bequest to her grandson, Judge Robert Treat Paine (1731-1814), 1747; to his children, 1814; to son Robert Treat Paine, 1842; his gift to Harvard College, 1842.
Acquisition and Rights
- Credit Line
- Harvard University Portrait Collection, Gift of Robert Treat Paine to Harvard College, 1842
- Object Number
- H18
- Division
- European and American Art
- Contact
- am_europeanamerican@harvard.edu
- Permissions
-
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Publication History
- William Garrott Brown, A List of Portraits in the Various Buildings of Harvard University, Harvard University Library (Cambridge, MA, 1898), p. 44
- Laura M. Huntsinger, Harvard Portraits: A Catalogue of Portrait Paintings at Harvard University, ed. Alan Burroughs, Harvard University Press (Cambridge, MA, 1936), pp. 147-148, ill. p. 149
- Historical Records Survey, Division of Professional and Service Projects, Works Progress Administration, American Portraits, 1620-1825, found in Massachusetts, Volumes 1 and 2, Historical Records Survey (Boston, MA, 1939), p. 465, cat. 2466
- Richard Francis, Judge Sewall's Apology: The Salem Witch Trials and the Forming of an American Conscience, Harper Collins (US) (New York, NY, 2005), ill. p. 158
- Peter J. Theusen, Predestination: The American Career of a Contentious Doctrine, Oxford University Press (UK) (Cambridge, 2009), ill. p. 53
- Theodore E. Stebbins, Jr. and Melissa Renn, American Paintings at Harvard, Volume One: Paintings, Watercolors, and Pastels by Artists Born before 1826, Yale University Press (U.S.) and Harvard Art Museums (Cambridge and New Haven, 2014), p. 503, cat. 467, ill.
- Ken Bresler, The Witch Trial Trail of Boston and the Harvard Witch Walk: The People and Places of Boston and Harvard Connected with the Salem Witch Trials (2023), p. 27, repr.
Exhibition History
- Samuel Sewall and His Contemporaries, Museum of Fine Arts, Boston, Boston, 04/17/1959 - 05/21/1959
- Old South, Museum of Fine Arts, Boston, Boston, 05/06/1969 - 06/01/1969
Related Objects
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu