Your Collection

Add this item to your collection
Harvard Art Museums
Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1992.322
Title
Table Leg
Classification
Furniture
Work Type
leg
Date
mid 1st century BCE-mid 1st century CE
Places
Creation Place: Ancient & Byzantine World, Europe
Period
Roman Republican period, Late, to Early Imperial
Culture
Roman
Persistent Link
https://hvrd.art/o/304398

Physical Descriptions

Medium
Bronze; copper, silver, and bronze inlays
Technique
Cast, lost-wax process
Dimensions
h. 19.4 x max diam. 5.9 cm (7 5/8 x 2 5/16 in.)
Technical Details

Chemical Composition: ICP-MS/AAA data from sample, Bronze:
Cu, 89.03; Sn, 9.69; Pb, 1.13; Zn, 0.019; Fe, 0.03; Ni, 0.02; Ag, 0.04; Sb, 0.04; As, less than 0.10; Bi, less than 0.025; Co, less than 0.005; Au, less than 0.01; Cd, less than 0.001
J. Riederer

Chemical Composition: Main alloy
XRF data from Artax 2
Alloy: Bronze
Alloying Elements: copper, tin
Other Elements: lead, iron, silver, antimony

XRF data from Tracer
Alloy: Bronze
Alloying Elements: copper, tin
Other Elements: lead, iron


Inlay 1
XRF data from Artax 2
Alloy: Copper
Alloying Elements: copper
Other Elements: tin, lead, iron, silver, arsenic, gold

XRF data from Tracer
Alloy: Copper
Alloying Elements: copper
Other Elements: lead, iron


Inlay 2
XRF data from Artax 2
Alloy: Silver
Alloying Elements: silver
Other Elements: gold, lead

XRF data from Tracer
Alloy: Silver
Alloying Elements: silver, copper
Other Elements: gold, lead


Inlay 3
XRF data from Artax 2
Alloy: Bronze
Alloying Elements: copper, tin
Other Elements: tin, lead, iron, silver, arsenic, gold
Comments: This may be an example of black bronze.

K. Eremin, January 2014

Technical Observations: The patina is green with areas of dark brown. The leg is brittle due to corrosion, and numerous fragments have been lost at the edges of the disc-shaped projections. The lower terminal of the leg is also lost, and the remains of old restoration material are present at the loss.

The furniture leg is a solid cast. Finishing marks and incised lines are very crisp where they are preserved, and they were cut into the leg while it was turned on a lathe, probably at a relatively slow speed. The inlayed plant forms on the lower end were hammered into grooves and leaf shapes cut into the bronze casting. Several of the more elongated leaf inlays are a white metal, which was confirmed by XRF to be silver, while others are copper and bronze.


Henry Lie (submitted 2001)

Provenance

Recorded Ownership History
[Sotheby’s, New York, June 25, 1992, lot 329], sold; to Harvard University Art Museums, 1992.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, David M. Robinson Fund
Accession Year
1992
Object Number
1992.322
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
This leg would have belonged to an elaborately decorated wooden couch or table, as Harvard’s intarsia panels (for example, 1992.316) or fulcrum (1987.130) would also have. The leg is solid, and the shaft is decorated with eight molded discs of varying diameter and roundness. The broadest disc, at the top of the leg, is only partially preserved; it bears a series of circular impressions on its surface that may relate to how it was attached to the couch. The bottom of the leg is piriform and decorated with inlaid foliage. The silver and copper alloy inlays consist of simple olive branches with leaves and olives, as well as curving vines with grape leaves.

Roman furniture legs often featured elaborately modeled discs and decoration, like the Harvard example (1).

NOTES:

1. Compare L. Pirzio Biroli Stefanelli, ed., Il bronzo dei Romani: Arredo e suppellettile (Rome, 1990) 76-78, 173-76, and 263-67, nos. 31-34, 36, and 42, figs. 34-36, 138-43, and 247; and J. W. Hayes, Greek, Roman, and Related Metalware in the Royal Ontario Museum: A Catalogue (Toronto, 1984) 177-78 and 180, nos. 299-300.


Lisa M. Anderson

Publication History

  • Susanne Ebbinghaus, ed., Ancient Bronzes through a Modern Lens: Introductory Essays on the Study of Ancient Mediterranean and Near Eastern Bronzes, Harvard Art Museum/Yale University Press (Cambridge, MA, 2014), p. 83

Exhibition History

  • Roman Gallery Installation (long-term), Harvard University Art Museums, Cambridge, 09/16/1999 - 01/20/2008

Subjects and Contexts

  • Ancient Bronzes
  • Roman Domestic Art

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu