Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1977.216.3412
Title
Venus
Other Titles
Former Title: Aphrodite
Classification
Sculpture
Work Type
sculpture, statuette
Date
2nd-3rd century CE
Places
Creation Place: Ancient & Byzantine World
Period
Roman Imperial period
Culture
Roman
Persistent Link
https://hvrd.art/o/304145

Physical Descriptions

Medium
Leaded bronze
Technique
Cast, lost-wax process
Dimensions
10.5 x 4 x 2 cm (4 1/8 x 1 9/16 x 13/16 in.)
Technical Details

Chemical Composition: ICP-MS/AAA data from sample, Leaded Bronze:
Cu, 78.45; Sn, 6.99; Pb, 14.38; Zn, 0.022; Fe, 0.01; Ni, 0.03; Ag, 0.05; Sb, 0.07; As, less than 0.10; Bi, less than 0.025; Co, less than 0.005; Au, less than 0.01; Cd, less than 0.001
J. Riederer

Technical Observations: The patina is brown with slightly raised mottled areas of red and green corrosion products. Two large lacunae—one encompassing her proper left arm, part of her ribs, and part of her back; the other including part of her proper right buttock and thigh—are probably due to the excessively thin walls of the cast, which must have cracked and broken under pressure. Several other cracks are visible across the abdomen, her thighs, and the back of the left buttock. The dents on the back of her right calf suggest that the limbs were finely cast as well.

This lightweight, hollow Venus was cast in one piece. The statuette is very cursorily modeled and chased, and the details appear to be rounded as if from wear. Coarse file marks are visible along the edge of the lacuna on her back and on the bottoms of her feet. The underside of her right hand appears too flattened and simplified to be the result of indirect molding. Faint ridges on the inside of her lower legs appear to be the remains of piece-mold seams. The inner surface, which might preserve evidence of how the core or wax model were formed, is covered with corrosion products, white powdery core material, and perhaps the remains of cast-on repairs. A raised, flat, round feature (c. 3 mm in diameter) on the front of her right shoulder seems to extend like a pin through the metal into the inner cavity. It appears to be made of a copper alloy as well and may be a plug that was pushed up over time. Another rounded flat feature at the height of her diaphragm may also be such a pin. Small traces of lead solder on the bottom of the left foot suggest that the piece was soldered to a base.


Francesca G. Bewer (submitted 2001)

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Transfer from the Department of the Classics, Harvard University
Accession Year
1977
Object Number
1977.216.3412
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
Venus Anadyomene stands in a slight S-curve, with her left leg locked and hip out and her right leg bent slightly at the knee, while her upper body curves to the left (1). She has small breasts and a small circular depression indicating her belly button. Her torso is rather long in comparison with her legs. Her hair is partially arranged in a topknot and chignon and partially loose; she holds a section of loose hair in her upraised right arm. The left arm is missing, and there is no indication that her left hand also made contact with her hair. The tilt of the head is comparable to a statuette where the goddess gazes at herself in a mirror (2).

The statue type of Venus (Aphrodite) Anadyomene depicts the goddess, typically nude or partially nude, rising from the sea at her birth.

NOTES:

1. Compare Lexicon Iconographicum Mythologiae Classicae Aphrodite nos. 424-25, 430-32, 437-38, and 445-50. Although the hairstyle is different and the arms are mirror images of each other, the Harvard bronze compares well to J. Petit, Bronzes Antiques de la Collection Dutuit: Grecs, hellénistiques, romains et de l’Antiquité tardive (Paris, 1980) 84, no. 28.

2. See M. Kohlert-Németh, Archäologische Reihe Römische Bronzen aus Nida-Heddernheim 1: Götter und Dämonen (Frankfurt, 1988) 39-41, no. 11.

Lisa M. Anderson

Subjects and Contexts

  • Ancient Bronzes
  • Roman Domestic Art

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu