2002.95.126.A: Herakles
SculptureIdentification and Creation
- Object Number
- 2002.95.126.A
- Title
- Herakles
- Other Titles
- Former Title: Statuette of Herakles
- Classification
- Sculpture
- Work Type
- statuette, sculpture
- Date
- 3rd century BCE
- Places
- Creation Place: Ancient & Byzantine World, Europe, Etruria
- Period
- Hellenistic period
- Culture
- Etruscan
- Persistent Link
- https://hvrd.art/o/303743
Physical Descriptions
- Medium
- Leaded bronze
- Technique
- Cast, lost-wax process
- Dimensions
- 11.1 x 6.5 cm (4 3/8 x 2 9/16 in.)
- Technical Details
-
Chemical Composition: XRF data from Tracer
Alloy: Leaded Bronze
Alloying Elements: copper, tin, lead
Other Elements: iron
K. Eremin, January 2014Technical Observations: The patina is green with areas of brown and red. The right forearm and hand are broken off and had been glued back in place; the left hand is missing. Some parts of the surface are well preserved, but most of the surface has lost detail due to corrosion. The mostly vertical scratch marks are the result of cleaning the statuette with a coarse metal brush. The mounting pin in the right foot is modern. Corrosion products are at least 1-mm thick in many areas.
The object is a solid cast, and the simplicity of the shapes gives the appearance of having been formed directly in wax as part of a lost-wax process. The hair and face details were made or enhanced using punch tools in the metal. File marks in some areas are original finish marks in the metal.
Henry Lie (submitted 2011)
Provenance
- Recorded Ownership History
- From the collection of Paul Haldeman.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Gift of Paul J. Haldeman
- Accession Year
- 2002
- Object Number
- 2002.95.126.A
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
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Descriptions
Published Catalogue Text: Ancient Mediterranean and Near Eastern Bronzes at the Harvard Art Museums
Herakles stands with feet spread, left foot forward and right hip jutting out. His right arm was upraised, holding a club behind his head; the arm has been broken off. His left arm, missing its hand, is held out from the shoulder with a stylized lion skin draped over it. Fingers and toes are only slightly indicated. The musculature of the body is more modeled and naturalistic than other Herakles statuettes in Harvard’s collection, such as 1920.44.100, 2002.60.40, and 2012.1.9. Nipples and navel are indicated by small circular punches of the same size. Herakles’ face is very angular and stylized, with triangular eyes, lacking molded lids, and pupils incised by dots. His nose is pointed, and there are simple molded lines for lips. The head is uncovered—a diadem encircles the head. Wavy hair is indicated by lines; it is particularly long in the back and around the face. A small section of hair or perhaps a fillet sticks out over the brow.
Statuettes showing Herakles in an attacking stance like this are very common in the ancient world (1). The god may have had a connection with cultivation in early Italy (2).
NOTES:
1. See A. Leibundgut, Die römischen Bronzen der Schweiz 3: Westchweiz, Bern, und Wallis (Mainz, 1980) 181-82, no. 278; A.-M. Adam, Bronzes étrusques et italiques (Paris, 1984) 180-92, nos. 271-95; and A. Naso, I bronzi etruschi e italici del Römisch-Germanisches Zentralmuseum, Kataloge vor- und frühgeschichtlicher Altertümer 33 (Mainz, 2003) 37-43, nos. 48-61, 63-64, and 66-67, pls. 21-24.
2. S. J. Schwarz, “Herakles/Hercle,” Lexicon Iconographicum Mythologiae Classicae 5.1: 196-253, esp. 197; F. van Wonterghem, “Le culte d’Hercule chez les Paeligni documents anciens et nouveaux,” L’Antiquité classique 42.1 (1973): 36-48; F. Jurgeit, Die etruskischen und italischen Bronzen sowie Gegenstände aus Eisen, Blei, und Leder im Badischen Landesmuseum Karlsruhe, Terra Italia 5 (Pisa, 1999) 56-69, nos. 61-89, pls. 21-28.
Jane A. Scott and Lisa M. Anderson
Subjects and Contexts
- Ancient Bronzes
Related Objects
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu