© President and Fellows of Harvard College
Gallery Text

No. 2 exemplifies the mature paintings Pollock produced between 1947 and 1950, when he fully developed his signature “poured” technique. Laying raw, unstretched canvas on the floor of his barn studio on Long Island, Pollock worked from above, dripping, pouring, and flinging paint onto the surface. The compositions of looping, tangled lines, alternately forceful and delicate, express his highly physical creative process and serve as a record of his bodily engagement. Close inspection reveals Pollock’s interest in the properties of paint — its weight and viscosity, the way it bubbles and cracks, pools upon or sinks into the canvas — and the control he was able to maintain, despite the appearance of absolute spontaneity.

Identification and Creation
Object Number
1965.554
People
Jackson Pollock, American (Cody, WY 1912 - 1956 East Hampton, NY)
Title
No. 2
Classification
Paintings
Work Type
painting
Date
1950
Places
Creation Place: North America, United States
Culture
American
Location
Level 1, Room 1200, Modern and Contemporary Art, Mid–century Abstraction I
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Physical Descriptions
Medium
Mixed media on canvas
Dimensions
279.4 x 91.76 cm (110 x 36 1/8 in.)
framed: 281.94 x 94.62 x 5.08 cm (111 x 37 1/4 x 2 in.)
Inscriptions and Marks
  • Signed: u.r.: Jackson Pollock
Provenance
Lee Krasner, Professor and Mrs. Reginald R. Isaacs, partial gift/partial sale; to Fogg Art Museum, 1965.
Acquisition and Rights
Credit Line
Harvard Art Museums/Fogg Museum, Mr. and Mrs. Reginald R. Isaacs and Family and Purchase through the Contemporary Art Fund
Copyright
© Pollock-Krasner Foundation / Artists Rights Society (ARS), New York
Accession Year
1965
Object Number
1965.554
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
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Publication History

[Unidentified article], Fogg Art Museum Acquisitions, 1965, Fogg Art Museum (Cambridge, MA, 1965), reproduced p. 104

H. Wade White, "Recent Accessions: A Drip Painting by Jackson Pollock", Fogg Art Museum Newsletter, Fogg Art Museum (Cambridge, MA, April 1966), vol. III, no. 4, ill. p.

Paintings, Drawings, and Sculpture from the Fogg Art Museum, Harvard University, exh. cat., Yale University Art Gallery (New Haven, CT, 1967)

Kenyon Castle Bolton, III, Peter G. Huenink, Earl A. Powell III, Harry Z. Rand, and Nanette C. Sexton, American Art at Harvard, exh. cat., Fogg Art Museum (Cambridge, MA, 1972), cat. 157, ill.

E. A. Carmean, Jr. and Eliza E. Rathbone, American Art at Mid-Century: The Subjects of the Artist, exh. cat., National Gallery of Art (Washington, D.C, 1978), p. 131, reproduced in b/w, p. 126, no. 2 on checklist

Francis Valentine O'Connor and Eugene Victor Thaw, Jackson Pollock: a catalogue raisonné of paintings, drawings, and other works, Yale University Press (U.S.) (New Haven, CT and London, England, 1978), vol. 2, no. 261, ill.

Kristin A. Mortimer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums/Abbeville Press (Cambridge, MA; New York, NY, 1985), p. 204, cat. 234, ill.

Caroline A. Jones, Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums (New York, NY and Cambridge, MA, Abbeville Press/Harvard University Art Museums, 1985). With an essay by John Coolidge and a preface by John M. Rosenfield. To accompany the inaugural exhibition at the Sackler Museum, Oct 21 1985 - Jan 5 1986, frontispiece

Christos M. Joachimides and Norman Rosenthal, American Art in the 20th Century: Painting and Sculpture 1913-1993, exh. cat., Royal Academy of Arts/Zeitgeist-Gesellschaft (London, England and Prestel, 1993), no. 89, reproduced in color; checklist, p. 480; text p. 16

Timothy Anglin Burgard, American Art at Harvard: Cultures and Contexts, brochure, Harvard University Art Museums (Cambridge, MA, 1994), pp. 8, 12, cat. 72

James Cuno, Harvard's Art Museums: 100 Years of Collecting, Harvard University Art Museums/Harry N. Abrams, Inc. (Cambridge, MA, 1996), p. 198, ill. p. 199

Stephan Wolohojian, ed., Harvard Art Museum/ Handbook, Harvard Art Museum (Cambridge, MA, 2008), ill. p. 219

Gavin Delahunty, ed., Jackson Pollock: Blind Spots, exh. cat., Tate Publishing (London, 2015), p. 139, ill. (color)

Exhibition History

Untitled, School of the Museum of Fine Arts, 12/01/1950 - 02/28/1951

11th Annual Exhibition, The Art Institute of Chicago, 04/11/1951 - 05/06/1951

Paintings, Drawings, Sculpture from the Fogg Art Museum, Harvard University, Yale University Art Gallery, New Haven, 10/12/1967 - 12/03/1967

American Art at Harvard, Fogg Art Museum, Cambridge, 04/19/1972 - 06/18/1972

New York School: From the First Generation, Fogg Art Museum, Cambridge, 12/10/1975 - 01/06/1976

Master Paintings from the Fogg Collection, Fogg Art Museum, Cambridge, 04/13/1977 - 08/31/1977

American Art at Mid-Century: The Subjects of the Artists, National Gallery of Art, Washington, 06/01/1978 - 01/14/1979

Modern Art at Harvard, Harvard University Art Museums, Cambridge, 10/21/1985 - 01/05/1986

American Art in the Twentieth Century: Painting and Sculpture, Zeitgeist-Gesellschaft, Berlin, 05/08/1993 - 07/25/1993; Royal Academy of Arts, London, 09/17/1993 - 12/12/1993

American Art at Harvard: Cultures and Contexts, Harvard University Art Museums, Cambridge, 10/01/1994 - 12/30/1994

Re-View: S118 European & American Art since 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 09/13/2008 - 04/09/2011

Re-View: European and American Art Since 1900, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/03/2011 - 06/01/2013

32Q: 1200 Mid-Century Abstraction I (Painterly Abstraction), Harvard Art Museums, Cambridge, 11/01/2014 - 09/30/2015; Harvard Art Museums, Cambridge, 04/06/2016

Jackson Pollock: Blind Spots, Dallas Museum of Art, Dallas, 11/20/2015 - 03/20/2016

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu