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Identification and Creation

Object Number
1937.8.2
People
John Singer Sargent, American (Florence, Italy 1856 - 1925 London, England)
Title
Spanish Male Dancer before Nine Seated Figures
Classification
Drawings
Work Type
drawing
Date
1879
Culture
American
Persistent Link
https://hvrd.art/o/299834

Physical Descriptions

Medium
Brown ink and brown wash on off-white wove paper
Dimensions
13.3 x 20.7 cm (5 1/4 x 8 1/8 in.)
Inscriptions and Marks
  • inscription: verso, black ink: Recibi P O Juan Solar

Provenance

Recorded Ownership History
To the artist's sisters, Violet (Mrs. Francis) Ormond and Emily Sargent, at his death, 1925; gift of Mrs. Ormond to the Fogg Art Museum, 1937.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Mrs. Francis Ormond
Accession Year
1937
Object Number
1937.8.2
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Descriptions

Description
The drawing is made on the back of a bill from M. Villasante, a Madrid hatmaker

Publication History

  • Richard Ormond, "Sargent's El Jaleo", Fenway Court, Isabella Stewart Gardner Museum (Boston, MA, 1970), p. 5, fig. 3
  • Richard Ormond, John Singer Sargent: Paintings, Drawings, Watercolors, Harper & Row (New York, NY and London, England, 1970), p. 38, fig. 13
  • Carter Ratcliff, John Singer Sargent, Abbeville Press (New York, 1982), p. 66, pl. 94
  • Warren Adelson and Elizabeth Oustinoff, "Sargent's Spanish Dancer: A Discovery", The Magazine Antiques (March 1992), vol. CXLI, no. 3, pp. 460-471, reproduced, p. 463, fig. 2
  • Mary Crawford Volk, John Singer Sargent's El Jaleo, exh. cat., National Gallery of Art (Washington, D.C, 1992), catalogue no. 8, pp. 138-139
  • Trevor J. Fairbrother, John Singer Sargent: The Sensualist, exh. cat., Seattle Art Museum/Yale University Press (Seattle, WA and New Haven, CT, 2000), p. 99; repr. p. 100, fig. 4.2
  • James Harper, Verso: The Flip Side of Master Drawings, exh. cat., Harvard University Art Museums (Cambridge, MA, 2001), cat. no. 24A, repr. (recto and verso), p. 16
  • Richard Ormond and Elaine Kilmurray, John Singer Sargent: Figures and Landscapes, 1874-1882, Yale University Press (New Haven and London, 2006), pp. 226, 267, 230, fig. 127
  • Theodore E. Stebbins, Jr., Virginia Anderson, and Kimberly Orcutt, ed., American Paintings at Harvard, Volume Two, Paintings, Drawings, Pastels and Stained Glass by Artists Born 1826-1856, Harvard Art Museums and Yale University Press (U.S.) (Cambridge, MA and New Haven, CT, 2008), p. 300, fig. 33
  • Sarah Cash, Elaine Kilmurray, and Richard Ormond, Sargent & Spain, exh. cat., National Gallery of Art (Washington, DC, 2022), p. 15, fig. 4
  • Paul Fisher, The Grand Affair: John Singer Sargent in His World, Farrar, Straus & Giroux (New York, 2022), p. 112, repr. p. 113

Exhibition History

  • John Singer Sargent's El Jaleo, National Gallery of Art, Washington, 03/01/1992 - 08/02/1992; Isabella Stewart Gardner Museum, Boston, 09/10/1992 - 11/22/1992
  • Sargent in the Studio: Drawings, Sketchbooks, and Oil Sketches, Harvard University Art Museums, Cambridge, 06/10/1999 - 09/26/1999
  • Verso: The Flip Side of Master Drawings, Harvard University Art Museums, Cambridge, 05/19/2001 - 08/12/2001
  • HAA 10 Survey Course (S421): The Western Tradition: Art Since the Renaissance (Fall 10 Rotation 2), Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 10/15/2010 - 11/06/2010

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu