Harvard Art Museums > 1910.51: Convent and Alpine Pass, Visp, Switzerland Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Convent and Alpine Pass, Visp, Switzerland (John Ruskin) , 1910.51,” Harvard Art Museums collections online, Apr 26, 2024, https://hvrd.art/o/299103. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1910.51 People John Ruskin, British (London, England 1819 - 1900 Brantwood, England) Title Convent and Alpine Pass, Visp, Switzerland Classification Drawings Work Type drawing Date 1844 Culture British Persistent Link https://hvrd.art/o/299103 Physical Descriptions Medium Watercolor, white gouache, graphite, and black chalk on gray-beige wove paper, darkened Dimensions 32.4 x 46.5 cm (12 3/4 x 18 5/16 in.) Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Gift of Friends and Former Pupils of Professor C. H. Moore in recognition of his service Accession Year 1910 Object Number 1910.51 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History E. T. Cook and Alexander Wedderburn, The Works of John Ruskin, G. Allen (London, England, 1903 -1912), vol. 38, no. 895 Joan Evans, ed., The Diaries of John Ruskin, The Clarendon Press (Oxford, 1956-1959), vol. 1, pl. 27 (as "Visp") Gail S. Weinberg, Drawings of John Ruskin (1819 - 1900), exh. cat., Fogg Art Museum (Cambridge, MA, 1979), no. 10 Jeffrey L. Spear, Dreams of an English Eden: Ruskin and His Tradition in Social Criticism, Columbia University Press (New York, NY, 1984), ill. p. 17 Theodore E. Stebbins, Jr., Virginia Anderson, Melissa Renn, and Susan C. Ricci, The Last Ruskinians: Charles Eliot Norton, Charles Herbert Moore, and Their Circle, exh. cat., Harvard University Art Museums (Cambridge, MA, 2007), p. 52 Sally Anne Duncan and Andrew McClellan, The Art of Curating: Paul J. Sachs and the Museum Course at Harvard, Getty Research Institute (Los Angeles, 2018), pp. 13-14, repr. as fig. 7 Exhibition History Interpretations of Architecture in Drawings and Prints from the Renaissance through Le Corbusier, Baltimore Museum of Art, Baltimore, 12/15/1939 - 01/26/1940 Drawings of John Ruskin, 1819 - 1900, Fogg Art Museum, Cambridge, 01/19/1979 - 03/04/1979 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu
