Harvard Art Museums > 1932.260: Nude Man Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Nude Man (Copy after Antonio Pollaiuolo) , 1932.260,” Harvard Art Museums collections online, Apr 23, 2024, https://hvrd.art/o/298940. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1932.260 People Copy after Antonio Pollaiuolo, Italian (Florence, Italy 1431 or 1432 - 1498 Rome, Italy) Title Nude Man Classification Drawings Work Type drawing Date 15th century Places Creation Place: Europe, Italy, Tuscany, Florence Culture Italian Persistent Link https://hvrd.art/o/298940 Physical Descriptions Medium Brown ink on cream antique laid paper Dimensions 24 x 16.6 cm (9 7/16 x 6 9/16 in.) Inscriptions and Marks watermark: No watermark was observed when examined by Craigen Bowen, 3/4/2002. Provenance Recorded Ownership History Charles A. Loeser, Florence, Italy, bequest; to Fogg Art Museum, 1932 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Bequest of Charles A. Loeser Accession Year 1932 Object Number 1932.260 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), vol. 1, cat. no. 39, pp. 34-35, as copy after Pollaiuolo Sergio Ortolani, Il Pollaiuolo, Ulrico Hoepli-Editore (Milan, Italy, 1948), p. 170, no. 3 under "copie: nudi" as copy after Pollaiuolo and p. 122 Beverly Louise Brown, Prints and Drawings of the Quattrocento, exh. cat., Fogg Art Museum (Cambridge, MA, 1981), cat. no. 25, p. 20, as copy after, 16th century Sylvia Ferino Pagden, Disegni umbri: Gallerie dell' Accademia di Venezia, Electa (Milan, Italy, 1984), p.102 Patricia Lee Rubin and Alison Wright, Renaissance Florence: The Art of the 1470s, exh. cat., National Gallery Publications/Yale University Press (London, England, 1999), under cat. no. 51, p. 248 Carlo Francini, "L'inventario della collezione Loeser alla Villa Gattaia", Bollettino della Società di Studi Fiorentini (2000), no. 6, p. 121 ("Cartella con quattro stelle rosse") Shelley Langdale, Battle of the Nudes. Pollaiuolo's Renaissance Masterpiece, exh. cat., Cleveland Museum of Art (Cleveland, OH, 2002), p. 59 (n. 44) Exhibition History Prints and Drawings of the Quattrocento, Fogg Art Museum, Cambridge, 07/03/1981 - 08/31/1981 32Q: 2540 Renaissance, Harvard Art Museums, Cambridge, 09/01/2016 - 01/31/2017 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu
