- Gallery Text
This early drawing by Redon depicts a figure from a Gascon folktale, a giant called Drac who is endowed with supernatural powers. Since the escape of his beloved, whom he had held captive, the giant perpetually scours a lake in search of her. Here, the cliffs and cloud visible in the background are almost dwarfed by the giant, who walks across the surface of the lake. He wears a Phrygian cap, which is associated with antiquity but may also symbolize the pursuit of liberty in revolution-era France. The motif of the giant also makes reference to evolutionary theories that associated the origins of the indigenous French race with the Cro-Magnon man, who was believed to be taller than contemporary man because of the larger size of his skull.
- Identification and Creation
- Object Number
Odilon Redon, French (Bordeaux France 1840 - 1916 Paris France)
- Allegorical Figure (The Giant)
- Work Type
- 19th-20th century
- Physical Descriptions
- Graphite on cream wove paper, darkened
- 24.4 x 28 cm (9 5/8 x 11 in.)
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Gift of Philip Hofer
- Accession Year
- Object Number
- European and American Art
- Publication History
Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, MA, 1940), no. 719, fig. 385
Sven Sandström, Le Monde Imaginaire d'Odilon Redon (London, England, 1955), pp. 37-38, repr. p. 37, fig. 27
Visionaries and Dreamers, exh. cat., Corcoran Gallery of Art (Washington, D.C, 1956), p. 10, no. 62
Klaus Berger, Odilon Redon: Fantasy and Colour, McGraw-Hill Book Company (New York, Toronto, London, 1965), p. 235, no. 729
Sarah Whitfield, The Academic Tradition: An Exhibition of Nineteenth-century French Drawings, exh. cat., Indiana University Art Museum (Bloomington, IN, 1968), no. 84, repr.
Odilon Redon et les Problèmes de L'imagination dans la Peinture (I), Bijutsushi (March 1972), vol. 21, no. 4, pp. 119-142 + 162-63
Eric M. Zafran, Master Drawings from Titian to Picasso: The Curtis O. Baer Collection, exh. cat., High Museum of Art (Atlanta, GA, 1985), p. 146, cat. no. 85, repr.
Alec Wildenstein, Odilon Redon: Catalogue raisonné de l'oeuvre peint et dessiné, Wildenstein Institute (Paris, 1992-1998), vol. 1, p. 231, no . 587, repr.
Stephen F. Eisenman, The Temptation of Saint Redon: Biography, Ideology, and Study in the Noirs of Odilon Redon, University of Chicago Press (Chicago, 1992), pp. 118 + 130 + 132, repr. p. 132
Barbara Larson, "Odilon Redon: Science and Fantasy in the Noirs" (1996), pp. 43 - 44 + 372, repr. p. 372
Barbara Larson, The Dark Side of Nature: Science, Society, and the Fantastic in the Work of Odilon Redon, Pennsylvania State University Press (University Park, PA, 2005), p. 62, fig. 52
- Exhibition History
The Academic Tradition: An Exhibition of Nineteenth-Century French Drawings arranged by the Indiana University Art Museum, Indiana University Art Museum, Bloomington, 06/19/1968 - 08/11/1968
Flowers of Evil: Symbolist Drawings, 1870–1910, Harvard Art Museums, Cambridge, 05/21/2016 - 08/14/2016
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