Harvard Art Museums > 1932.331: Two Views of Waterfronts Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Two Views of Waterfronts (Giovanni Antonio Canal, called Canaletto) , 1932.331,” Harvard Art Museums collections online, May 19, 2024, https://hvrd.art/o/298590. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1932.331 People Giovanni Antonio Canal, called Canaletto, Italian (Venice, Italy 1697 - 1768 Venice, Italy) Title Two Views of Waterfronts Classification Drawings Work Type drawing Date 18th century Places Creation Place: Europe, Italy, Veneto, Venice Culture Italian Persistent Link https://hvrd.art/o/298590 Physical Descriptions Medium Brown ink over graphite on white antique laid paper Dimensions 22 × 29.2 cm (8 11/16 × 11 1/2 in.) Inscriptions and Marks watermark: Flower with nine petals and two leaves (Mongan-Sachs W. 25) Provenance Recorded Ownership History Charles A. Loeser, Florence, bequest; to Fogg Art Museum, 1932 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Bequest of Charles A. Loeser Accession Year 1932 Object Number 1932.331 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Detlev Freiherr von Hadeln and Campbell Dodgson, The Drawings of Antonio Canal Called Canaletto (London, England, 1929), p. 10, pl. 59 Agnes Mongan, "Notes on Canaletto Drawings in the Fogg Art Museum", Old Master Drawings (1938), vol. XIII, pp. 34-36, pp. 34-36, pl. 37 Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), vol. 1, cat. no. 309, pp. 156-57; vol. 2, repr. fig. 150 F. J. B. Watson, Canaletto, P. Elek (London, England and New York, NY, 1949), pp. 10 and 19, fig. 17 Terisio Pignatti, Il quaderno di disegni del Canaletto alle Gallerie di Venezia, Edizioni Daria Guarnati (Milan, Italy, 1958), vol. I, pp. 17 and 21, fig. 7 William G. Constable, Canaletto: Giovanni Antonio Canal, 1697-1768, The Clarendon Press (Oxford, England, 1962), vol. II, no. 652b, repr. Vittorio Moschini, Canaletto, A. Martello (Milan, Italy, 1963), p. 46, fig. 274 William G. Constable, Canaletto, Art Gallery of Toronto (Toronto, 1964), no. 121, repr. Antonio Maranzi, "Canaletto, le maitre de la lumière diffuse", Vie des Arts (1965), no. 38, p. 29 Terisio Pignatti, Canaletto Disegni, La Nuova Italia Editrice (Florence, Italy, October 1969), text under plate LIX notations at back of book, repr. plate LIX Van Deren Coke, The Painter and the Photograph from Delacroix to Warhol, University of New Mexico Press (Albuquerque, NM, 1972), p.3 Joseph Meder, The Mastery of Drawing, Abaris Books (New York, 1978), pl. 200 Carlo Francini, "L'inventario della collezione Loeser alla Villa Gattaia", Bollettino della Società di Studi Fiorentini (2000), no. 6, p. 122 ("Cartella III") Exhibition History Canaletto, Toronto Art Gallery, Toronto, 10/16/1964 - 11/15/1964; National Gallery of Canada, Ottawa, 12/04/1964 - 01/10/1965; Museum of Fine Arts, Montreal, Montreal, 01/29/1965 - 02/28/1965 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu
