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Identification and Creation

Object Number
1932.198
People
Pieter Coecke van Aelst, Netherlandish (Aelst (now Aalst) 1502 - 1550 Brussels, Belgium)
Title
Crucifixion
Classification
Drawings
Work Type
drawing
Date
c. 1533-35?
Culture
Netherlandish
Persistent Link
https://hvrd.art/o/298221

Physical Descriptions

Medium
Brown ink, brown wash, and white opaque watercolor over black chalk on light tan antique laid paper
Dimensions
23 x 16.3 cm (9 1/16 x 6 7/16 in.)
Inscriptions and Marks
  • watermark: shield ?
  • inscription: former mat, graphite: original by Peter Coecke van Aelst (desginer of tapestries) / very close to van Orley -- his teacher / see Friedlander "a...[illegible]...liche [illegible]...iebte" for article on master.
  • inscription: verso, upper center, brown ink: [illegible]
  • inscription: verso, lower center, brown ink: Lu-

Provenance

Recorded Ownership History
Charles A. Loeser, Florence, Italy; bequest; to Fogg Art Museum, 1932.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Charles Alexander Loeser, Esq.
Accession Year
1932
Object Number
1932.198
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • O. Wittmann, Jr., "Two Drawings by Pieter Coeck Van Alost", Bulletin of the Fogg Art Museum, Fogg Art Museum (Cambridge, MA, November 1938), vol. 8, no. 1, pp. 41-47, repr.
  • Agnes Mongan and Paul J. Sachs, Drawings in the Fogg Museum of Art, Harvard University Press (Cambridge, 1940), vol. 1, cat. no. 463, p. 239; vol. 2, repr. fig. 235
  • An Exhibition of Dutch and Flemish Drawings and Watercolors, checklist, Unpublished (1954), cat. no. 2, p. 1
  • Nicola Courtright, Northern Travelers to Sixteenth-Century Italy: Drawings from New England Collections, exh. cat., Trustees of Amherst College (Amherst, MA, 1990), cat. no. 1, p. 14
  • Carlo Francini, "L'inventario della collezione Loeser alla Villa Gattaia", Bollettino della Società di Studi Fiorentini (2000), no. 6, p. 119 ("Cartella con due stelle d'oro")
  • Stijn Alsteens, "The Drawings of Pieter Coecke van Aelst", Master Drawings (2014), vol. 52, no. 3, pp. 275-362, cat. no. A17, p. 330
  • Elizabeth Cleland, ed., Grand Design: Pieter Coecke van Aelst and Renaissance Tapestry, exh. cat., The Metropolitan Museum of Art (New York, 2014), under cat. no. 11, p. 354 (n. 9)
  • William W. Robinson and Susan Anderson, Drawings from the Age of Bruegel, Rubens, and Rembrandt: Highlights from the Collection of the Harvard Art Museums, Harvard Art Museums (Cambridge, MA, 2016), p. 14, repr., fig. 3

Exhibition History

  • An Exhibition of Dutch and Flemish Drawings and Watercolors, Fogg Art Museum, Cambridge, 04/01/1954 - 04/30/1954
  • Art of the Northern Renaissance, Busch-Reisinger Museum, 02/13/1967 - 04/01/1967
  • Northern Renaissance Art: Selected Works, Busch-Reisinger Museum, Cambridge, 02/28/1984 - 04/08/1984
  • Prints and Drawings from the Time of Holbein and Breugel, Busch-Reisinger Museum, Cambridge, 11/21/1985 - 01/12/1986
  • Northern Travelers to 16th c. Italy: Drawings from New England Collections, Mead Art Museum, Amherst, 10/29/1990 - 12/09/1990

Subjects and Contexts

  • Dutch, Flemish, & Netherlandish Drawings

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu