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Identification and Creation

Object Number
1943.848
People
Jean-Auguste-Dominique Ingres, French (Montauban 1780 - 1867 Paris)
Title
Portrait of Countess Antoine Apponyi
Other Titles
Alternate Title: Portrait of Comtesse Antoine Apponyi
Classification
Drawings
Work Type
drawing
Date
1823
Culture
French
Persistent Link
https://hvrd.art/o/297943

Physical Descriptions

Medium
Graphite and white chalk on off-white wove paper
Dimensions
45 x 34.9 cm (17 11/16 x 13 3/4 in.)

Provenance

Recorded Ownership History
Albert Goupil, Paris; purchased from him by Charles-François Jalabert (1819-1901), Paris; bequeathed by him to Jean-Léon Gérôme (1824-1904), Paris; his widow, Mme Gérôme, née Marie Goupil (1841-1912; Albert Goupil's sister); her daughter Mme Aimé-Nicolas Morot; acquired from her through Martin Birnbaum by Grenville L. Winthrop, April 1932 (Fr 192,500); his bequest to the Fogg Art Museum, 1943.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.848
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Charles Blanc, Ingres, sa vie et ses ouvrages, Vve. J. Renouard (Paris, France, 1870), pg. 240 (as "Portrait de femme en pied, tenant une ombrelle à la main," coll. Albert Goupil)
  • Henri, Vicomte Delaborde, Ingres, sa vie, ses travaux, sa doctrine, d'apres les notices manuscrites et les lettres du maitre, H. Plon (Paris, France, 1870), pg. 289, no. 247
  • Émile Molinier, "La Collection Albert Goupil", Gazette des beaux-arts (May 1, 1885), ser. 2, 31, pp. 388-89
  • Henry Lapauze, Les portraits dessinés de J.-A._D. Ingres, J. E. Bulloz (Paris, 1903), no. 97, repro.
  • Louis Gonse, Les chefs-d'oeuvre des musées de France, Librairie de l’art ancien et moderne (Paris, 1904), pg. 92
  • Alexandrine Miller, "Ingres' Three Methods of Drawing as Revealed by his Crayon Portraits", Art in America (January 1938), vol. XXVI, pp. 13, 14, n. 25
  • Agnes Mongan, "Drawings by Ingres in the Winthrop Collection", Gazette des Beaux-Arts (July-December 1944), ser. 6, 26, pp. 398, 399, fig. 8 (as "Lady with a Parasol")
  • "The Winthrop Art Collection", Harvard Alumni Bulletin (Cambridge, MA, January 8, 1944), XLVI, pg. 210, repro.
  • Agnes Mongan, "Ingres and the Antique", Journal of the Warburg and Courtauld Institutes (London, 1947), 10, no. 16, repro. (as "Lady with a Parasol")
  • Jean Cassou, Ingres, Editions de la Connaissance (Brussels, Belgium, 1947), pl. 36
  • Martin Birnbaum, The Last Romantic (New York, NY, 1960), pg. 189 (as "Femme à l'ombrelle")
  • François Boucher, Histoire du costume en Occident de l'antiquité à nos jours, Flammarion (Paris, 1965), pp. 352-53, fig. 902
  • Agnes Mongan, "Hommage à Ingres", L'oeil (September 1967), nos. 151-53, pg. 29
  • Norman Schlenoff, "Ingres Centennial at the Fogg Museum", The Burlington Magazine (1967), vol. CIX, pg. 379, fig. 62
  • Hans Naef, "L'exposition Ingres du Musée Fogg, 12 Févier-9 Avril 1967", Bulletin du Musée Ingres (Montauban, France, July 1967), 21, pg. 6, n. 1
  • Ingres: Centennial Exhibition, 1867-1967. Drawings, Watercolors and Oil Sketches from American Collections, exh. cat., Fogg Art Museum (Cambridge, MA, 1967), no. 55, pp. 243-244, repr.
  • Emilio Radius and Ettore Camesasca, L'opera completa di Ingres, Rizzoli (Milan, Italy, 1968), pg. 124
  • Agnes Mongan, "Ingres as a Great Portrait Draughtsman", Colloque Ingres, ed. Mathieu Méras and Alan Godeau, Amis du Musée Ingres (Montauban, 1969), pp. 134-50, pp. 146, 157, fig. 26, repr.
  • Marjorie B. Cohn, "The Original Format of Ingres Portrait Drawings", Colloque Ingres, Dupin (Montauban, France, 1969), pg. 19
  • Hans Naef, "Ingres to M. Leblanc, an Unpublished Letter", Metropolitan Museum of Art Bulletin (New York, NY, December 1970), 29, pp. 183, 184 (under "Notes")
  • Daniel Ternois and Ettore Camesasca, Tout l'oeuvre peint d'Ingres (Paris, France, 1971), pg. 124
  • Hans Naef, Die Bildniszeichnungen von J.-A.-D. Ingres (Bern, Switzerland, 1978), vol. 2, pp. 449-54, fig. 1; vol. 5, pp. 50-52, no. 275, repro.
  • Gaetan Picon, Jean-Auguste-Dominique Ingres, Quai des Celestins, 4 (New York, NY, 1980), pg. 81, repro.
  • Douglas A. Russell, Costume history and style, Prentice-Hall (Englewood Cliffs, NJ, 1983), pp. 340-341; repr. fig. 19-9
  • Ingres et Delacroix: Dessins et aquarelles, exh. cat., Snoeck-Ducaju & Zoon (Ghent, 1986), pp. 31, 32, fig. 9
  • Agnes Mongan, David to Corot: French Drawings in the Fogg Art Museum, Harvard University Press (Cambridge, MA, 1996), cat. no. 229, repr.
  • Aileen Ribeiro, Ingres in Fashion: Representations of Dress and Appearance in Ingres's Images of Women, Yale University Press (New Haven, CT and London, England, 1999), pp. 68-70; pl. 48
  • Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., The Metropolitan Museum of Art and Yale University Press (U.S.) (New York, 2003), cat. no. 62, repr. (color)
  • Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003), no. 62, repr.

Exhibition History

  • Tableaux, etudes peintes, dessins et croquis de J.-A.-D. Ingres peintre d'histoire, sénateur, membre de l'Institut, École Impériale des Beaux-Arts, Paris, 04/10/1867 - 12/31/1867
  • Dessins de l'école moderne exposés a l'École Nationale des Beaux-Arts au profit de la Caisse de Secours de l'Association, École Nationale des Beaux-Arts, Paris, 02/01/1884 - 02/28/1884
  • Exposition Ingres, Galerie Georges Petit, Paris, 04/26/1911 - 05/14/1911
  • Chinese sculpture, bronzes, jades, paintings and drawings, Egyptian and Persian sculpture, Pre-Columbian art : selected from the collection of Grenville Lindall Winthrop, Fogg Art Museum, Cambridge, 10/01/1943 - 02/28/1944
  • Ingres Centennial Exhibition, 1867-1967, Fogg Art Museum, Cambridge, 02/12/1967 - 04/09/1967
  • Works by J.-A.-D. Ingres in the Collection of the Fogg Art Museum, Fogg Art Museum, Cambridge, 10/17/1980 - 12/07/1980
  • A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003; National Gallery, London, 06/25/2003 - 09/14/2003; The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004

Related Works

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu