Harvard Art Museums > 1955.63: Studies of Grotesques Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Studies of Grotesques (Agostino Carracci) , 1955.63,” Harvard Art Museums collections online, May 03, 2024, https://hvrd.art/o/297294. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1955.63 People Agostino Carracci, Italian (Bologna, Italy 1557 - 1602 Parma, Italy) Title Studies of Grotesques Classification Drawings Work Type drawing Date 16th-17th century Places Creation Place: Europe, Italy, Emilia, Bologna Culture Italian Persistent Link https://hvrd.art/o/297294 Physical Descriptions Medium Brown ink on cream antique laid paper Dimensions 25.2 x 37 cm (9 15/16 x 14 9/16 in.) Provenance Recorded Ownership History Herbert Straus, Aquired from the Herbert Straus Collection by th, 1933. Busch-Reisinger Museum, Cambridge, MA, Acquired from the Herbert Straus Collection, 1933, Transferred to the Fogg Art Museum, 1955. Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Transfer from the Busch-Reisinger Museum, acquired in 1933 from the Herbert Straus Collection Accession Year 1955 Object Number 1955.63 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Diane DeGrazia Bohlin, Prints and Related Drawings by the Carracci Family, exh. cat., National Gallery of Art (Washington, D.C, 1979), p. 48, fig. Q Agnes Mongan, Konrad Oberhuber, and Jonathan Bober, The Famous Italian Drawings at the Fogg Art Museum in Cambridge, Silvana Editoriale (Milan, Italy, 1988), pp. 13 and 57, repr. fig. 41 Diane DeGrazia, "Drawings as Means to an End: Preparatory Methods in the Carracci School and Baroque Workshop", The Craft of Art: Originality and Industry in the Italian Renaissance..., ed. Andrew Ladis, The University of Georgia Press (Athens, GA, 1995), p. 168, fig. 2 Matthias Waschek, Marjorie B. Cohn, Judith Mann, and Stephan Wolohojian, Ideal [Dis-] Placements: Old Masters at the Pulitzer, exh. cat., Pulitzer Arts Foundation (St. Louis, 2008), no. 31, repr. pp. 34-35 Exhibition History Ideal [Dis-] Placements: Old Masters at the Pulitzer, Pulitzer Arts Foundation, St. Louis, 10/24/2008 - 10/03/2009 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu
