Harvard Art Museums > 1986.681: How Sir Tristram Drank of the Love Drink Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"How Sir Tristram Drank of the Love Drink (Aubrey Vincent Beardsley) , 1986.681,” Harvard Art Museums collections online, Apr 23, 2024, https://hvrd.art/o/295014. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1986.681 People Aubrey Vincent Beardsley, British (Brighton, England 1872 - 1898 Menton, France) Title How Sir Tristram Drank of the Love Drink Other Titles Series/Book Title: Le Morte Darthur Classification Drawings Work Type drawing Date 1893 Culture British Persistent Link https://hvrd.art/o/295014 Physical Descriptions Medium Black ink and graphite on off-white wove paper Dimensions 28.3 x 22.1 cm (11 1/8 x 8 11/16 in.) Provenance Recorded Ownership History J.M. Dent; Frederick H. Evans; sold through [Anderson Galleries, New York, March 20, 1919, lot 16]; to Scofield Thayer, bequest; to Fogg Art Museum, 1986 State, Edition, Standard Reference Number Standard Reference Number Zatlin 504 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, Bequest of Scofield Thayer Accession Year 1986 Object Number 1986.681 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History Linda Gertner Zatlin, Aubrey Beardsley and Victorian Sexual Politics, The Clarendon Press (Oxford, England, 1990), pp. 75, 79, fig. 37 Chris Snodgrass, Aubrey Beardsley: Dandy of the Grotesque, Oxford University Press (NY) and Oxford University Press (UK) (New York, NY and Oxford, England, 1995), pp. 83-85 Emma Sutton, Aubrey Beardsley and British Wagernism in the 1890s, Oxford University Press (UK) (Oxford, 2002), pp. 41-42, frontispiece Rachel Sloan, "The Condition of Music: Wagnerism and Printmaking in France and Britain", Art History, Blackwell Publishers (Oxford, June 2009), vol. 32, no. 3, pp. 545-577, pp. 562-563, repr. in b/w p. 563 as fig. 9 Ji-hyun Philippa Kim, Pour une littérature médiévale moderne: Gaston Paris, l'amour courtois et les enjeux de la modernité, Honoré Champion Éditeur (Paris, 2012), repr. on cover James Dempsey, The Tortured Life of Scofield Thayer, University Press of Florida (Gainesville, FL, 2014), pp. 58, 186 Linda Gertner Zatlin, Aubrey Beardsley: A Catalogue Raisonné, Yale University Press (U.S.) (New Haven and London, 2016), vol. 1, no. 504, p. 314, repr. p. 315 Stephen Calloway and Caroline Corbeau-Parsons, ed., Aubrey Beardsley, exh. cat., Tate Publishing (London, 2020), checklist no. 28, repr. p. 681 Exhibition History Aubrey Beardsley, Tate Britain, London, 03/04/2020 - 09/20/2020; Musée d'Orsay, 10/12/2020 - 01/10/2021 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu
