Harvard Art Museums > 1984.601: Three Putti Drawings Collections Search Exit Deep Zoom Mode Zoom Out Zoom In Reset Zoom Full Screen Add to Collection Order Image Copy Link Copy Citation Citation"Three Putti (Simon Vouet) , 1984.601,” Harvard Art Museums collections online, Apr 26, 2024, https://hvrd.art/o/294581. Reuse via IIIF Toggle Deep Zoom Mode Download This object does not yet have a description. Identification and Creation Object Number 1984.601 People Simon Vouet, French (Paris 1590 - 1649 Paris) Title Three Putti Classification Drawings Work Type drawing Date c. 1646 Culture French Persistent Link https://hvrd.art/o/294581 Physical Descriptions Medium Black and white chalk on light tan antique laid paper, framing lines in black chalk, laid down on cream antique laid paper Dimensions 19.6 × 24.3 cm (7 11/16 × 9 9/16 in.) Inscriptions and Marks watermark: None visible–laid down inscription: mount, verso, upper left, graphite: 2726 inscription: mount, verso, center, graphite: 8. inscription: mount, verso, lower right, graphite: 105.1978 / S. Vouet 2495 Provenance Recorded Ownership History Germain Seligman, New York (his mark, L.3863, mount, lower right and left); R.M. Light & Co., Santa Barbara; E. V. Thaw & Co., New York; Seiden and de Cuevas, Inc., New York; Harvard Art Museums/Fogg Museum, The Melvin R. Seiden and Louis Haskell Daly Fund, 1984.601 Acquisition and Rights Credit Line Harvard Art Museums/Fogg Museum, The Melvin R. Seiden Fund and Louise Haskell Daly Fund Accession Year 1984 Object Number 1984.601 Division European and American Art Contact am_europeanamerican@harvard.edu Permissions The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request. Publication History John Richardson, ed., The Collection of Germain Seligman: Paintings, Drawings and Works of Art, E. V. Thaw & Co., Artemis S.A., and David Carritt Ltd. (New York, Luxembourg, and London, 1979), cat. no. 87, n.p. Hilliard T. Goldfarb, From Fontainebleau to the Louvre: French Drawing from the Seventeenth-Century, exh. cat., Cleveland Museum of Art/Indiana University Press (Cleveland, 1989), pp. 122-23 Véronique Meyer, “Graveurs allegoriques executes dans l’entourage de Simon Vouet”, Simon Vouet: actes du colloque international, ed. Stephane Loire, La Documentation Française (Paris, 1992), pp. 331-48, pp. 343-44, 348 Diederik Bakhuÿs, Barbara Brejon de Lavergnée, and Elodie Vaysse, L'œil & la main: chefs-d'œuvre du dessin français des XVIe et XVIIe siècles: Musée des Beaux-Arts de Rouen, exh. cat., Musée des Beaux-Arts de Rouen (Rouen, 2019), p. 28, fig. 8, repr. p. 24 (detail) Alvin L. Clark, Jr. and Edouard Kopp, French Drawings from the Age of Claude, Poussin, Watteau, and Fragonard: Highlights from the Collection of the Harvard Art Museums, Harvard Art Museums (Cambridge, MA, 2022), cat. no. 13, repr., p. 80 Verification Level This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu
