- Identification and Creation
- Object Number
Douris, Greek (active 500-460 BCE)
- Kylix (drinking cup): Satyr and Maenad; Dionysos, Satyrs, and Maenads
- Work Type
- c. 490-480 BCE
- Creation Place: Ancient & Byzantine World, Europe, Attica
- Classical period
Level 3, Room 3400, Ancient Mediterranean and Near Eastern Art, Ancient Greece in Black and Orange
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- Physical Descriptions
- H: 11 x Diam: 29.5 cm (4 5/16 x 11 5/8 in.)
Diam. w/ handles 30.2 cm (11 7/8 in.)
- [Athens, 1896] sold; to Joseph C. Hoppin, Pomfret, CT, (1896-1925), bequest; to Fogg Art Museum, 1925.
- State, Edition, Standard Reference Number
- Standard Reference Number
- Beazley Archive Database #205158
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Joseph C. Hoppin
- Accession Year
- Object Number
- Asian and Mediterranean Art
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- Interior tondo: Maenad and satyr. On the right, a maenad walks right and looks back at the satyr. She wears a long, gauzy chiton, black-bordered himation, and sakkos (cap). Her garments are heavily draped and the chiton is transparent across her chest, showing the outline of her breasts. In her right hand, the maenad holds a thyrsus. To the left, the satyr stands nude embracing the maenad with his left arm. He is nude with a tail and long beard. Behind the satyr is a drinking horn and rocky ledge.
Exterior Side A: Dionysos, maenads and satyrs. A bearded Dionysos stands in the center, flanked on either side by a pair of satyrs maenads. The god wears an ivy wreath on his head and holds a drinking cup in his right hand along with an ivy branch in his left. The satyrs are both nude with tail and beard and each maenad holds a thyrsus.
Exterior Side B: Maenads and satyrs. Three maenads and two satyrs.
The interior tondo is framed with a meander border and a series of volute-palmettes are beneath each handle. Limited use of added red delineates the maenads and satyrs's fillets.
- This cup is attributed to the painter Douris, active in the early fifth century BCE. Characteristics of this painter are the meander border found in the tondo and palmette ornamentation under the handles.
- Publication History
J. D. Beazley, Attic Red-Figure Vases in American Collections (Cambridge, 1918), p. 99
Joseph Clark Hoppin, A Handbook of Attic Red-Figure Vases (Cambridge, 1919), p. 280, no. 59
C. Walston, Establishment of Classical Type in Greek Art, Journal of Hellenic Studies (1924), 44, p. 242, fig. 14, 1 and 2
Joseph Clark Hoppin and Albert Gallatin, Corpus Vasorum Antiquorum, U.S.A.: volume 1, Hoppin and Gallatin Collections, Libraire Ancienne Edouard Champion (Paris, 1926)
George M. A. Hanfmann, Greek Art and Life, An Exhibition Catalogue, exh. cat., Fogg Art Museum (Cambridge, MA, 1950), no. 130.
J. D. Beazley, Attic Red-Figure Vase-Painters, The Clarendon Press (Oxford, England, 1963), p. 436, no. 112
Max Wegner, Duris (Munich, 1968), p. 149, 154ff, 246
Diana M. Buitron, Attic Vase Painting in New England Collections, exh. cat., Fogg Art Museum (Cambridge, MA, 1972), p. 100-101, no. 53
Caroline Houser, Dionysos and His Circle: Ancient Through Modern, exh. cat., Fogg Art Museum (Cambridge, 1979), no. 6.
- Exhibition History
Greek Art and Life: From the Collections of the Fogg Art Museum, Museum of Fine Arts, Boston, and Private Lenders, Fogg Art Museum, 03/07/1950 - 04/15/1950
Attic Vase Painting in New England Collections, Fogg Art Museum, Cambridge, 03/01/1972 - 04/05/1972
Dionysos and His Circle: Ancient through Modern, Fogg Art Museum, Cambridge, 12/10/1979 - 02/10/1980
Fragments of Antiquity: Drawing Upon Greek Vases, Harvard University Art Museums, Cambridge, 03/15/1997 - 12/28/1997
32Q: 3400 Greek, Harvard Art Museums, Cambridge, 11/16/2014 - 01/01/2050
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at email@example.com