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Identification and Creation

Object Number
1960.511
Title
Europa on a Running Bull
Classification
Sculpture
Work Type
sculpture
Date
c. 460-440 BCE
Places
Creation Place: Europe, Greece
Period
Classical period
Culture
Greek
Persistent Link
https://hvrd.art/o/290835

Physical Descriptions

Medium
Terracotta; buff clay, traces of white slip; pink, blue, and red paint
Technique
Mold-made
Dimensions
12.5 × 11.5 cm (4 15/16 × 4 1/2 in.)

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Bequest of David M. Robinson
Accession Year
1960
Object Number
1960.511
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Description
Complete figurine in good condition.

A woman, dressed, riding side-saddle on a running bull. Small head with regular features, with hair pulled up into a demure coiffure. She wears the “peplos of Athena”, and leans with her left arm on the bull’s neck, her hand grabbing onto his right horn. She keeps her right arm close to the body, draping her hand gently over the bull’s rump. Her legs curve to the back, as if propelled there by the bull’s forward momentum. The bull himself faces slightly towards the viewer (towards his proper right flank). The right foreleg is bent, so that the hoof does not lay flat on the ground.

Would have been painted originally. Significant traces of white ground extant. Pink pigment visible on Europa’s face, chest, legs and chiton, with a narrow band of red at the figure’s bottom edge.

Hollow, with solid heads. Mold-made in a single-sided mold, likely plaster. Plain slab at back, with large rectangular venthole. Clay treated differently at front: better levigated.
Commentary
Dynamic in gesture but serene in expression, this figurine depicts the famous abduction of Europa by the god Zeus. Having taken the form of a beautiful white bull, Zeus seized the princess, and brought her from her home in Phoenicia to the island of Crete. Once on the island, Europa bore Zeus a son, Minos, who would grow up to be Crete’s most famous king.

Exhibition History

  • The David Moore Robinson Bequest of Classical Art and Antiquities: A Special Exhibition, Fogg Art Museum, 05/01/1961 - 09/20/1961

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu