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Gallery Text

The objects in this case present different visions of the female body. Statuette or vessel, funerary offering or object of worship, decorative feature or conscious work of art, they would have elicited very different — though not mutually exclusive — responses when seen in their original contexts. Some called for symbolic or religious understanding and were used in ritual, such as the Cycladic figure; others invited their viewers to reconstruct a narrative scenario, such as the Aphrodite binding her sandal; whereas yet others offered visceral aesthetic, sensual, and perhaps even tactile delight. One of the bodies here — Lachaise’s Woman Bending Backward — is not from the ancient world, but, like many other European and American works, depends very much on Greco-Roman models and ideals, even as it distances itself from them, for example with a pose not known from representations of women in antiquity.

Identification and Creation

Object Number
1965.519
Title
Schematic Figure
Classification
Sculpture
Work Type
sculpture
Date
c. 2500 BCE
Places
Creation Place: Ancient & Byzantine World, Asia, Anatolia
Period
Bronze Age
Culture
Anatolian
Persistent Link
https://hvrd.art/o/290255

Location

Location
Level 3, Room 3200, Ancient Mediterranean and Middle Eastern Art, Classical Sculpture
View this object's location on our interactive map

Physical Descriptions

Medium
Marble
Technique
Carved
Dimensions
H. 16 x W. 8.7 x D. 0.2 cm (6 5/16 x 3 7/16 x 1/16 in.)

Provenance

Recorded Ownership History
Mr. and Mrs. Norbert Schimmel, Long Island, NY, (by 1964), gift; to Fogg Art Museum, 1965.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Mr. and Mrs. Norbert Schimmel
Accession Year
1965
Object Number
1965.519
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Description
This flat, roughly violin-shaped figure has a finly polished surface. It combines the traits of different schematic figurine or idol types: the head resembles the Kusura type and the body resembles the Beycesultan type. This combination of types is also referred to as the "Afyon Type."

Publication History

  • David Gordon Mitten and Amy Brauer, Dialogue with Antiquity, The Curatorial Achievement of George M. A. Hanfmann, exh. cat., Fogg Art Museum (Cambridge, MA, 1982), p. 16, no. 61.

Exhibition History

  • Dialogue with Antiquity: The Curatorial Achievement of George M.A. Hanfmann, Fogg Art Museum, 05/07/1982 - 06/26/1982
  • 32Q: 3200 West Arcade, Harvard Art Museums, Cambridge, 11/16/2014 - 01/01/2050

Subjects and Contexts

  • Google Art Project

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu