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Identification and Creation

Object Number
P1972.181
People
Minor White, American (Minneapolis, Minnesota 1908 - 1976 Cambridge, Massachusetts)
Title
72 N. Union Street, Rochester
Classification
Photographs
Work Type
photograph
Date
1958
Places
Creation Place: North America, United States, New York
Culture
American
Persistent Link
https://hvrd.art/o/284747

Physical Descriptions

Technique
Gelatin silver print
Dimensions
actual: 29 x 23.5 cm (11 7/16 x 9 1/4 in.)
Inscriptions and Marks
  • Signed: Minor White
  • inscription: inscribed in graphite on verso: title, date February 1958, and signature

Provenance

Recorded Ownership History
Carl Siembab Gallery of Photography, Boston, Massachusetts, sold to the Fogg Art Museum, 1972.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, National Endowment for the Arts Grant
Copyright
© The Trustees of Princeton University
Accession Year
1972
Object Number
P1972.181
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Publication History

  • Caroline A. Jones, Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums (New York, NY and Cambridge, MA, Harvard University Art Museums and Abbeville Press, 1985). With an essay by John Coolidge and a preface by John M. Rosenfield. To accompany the inaugural exhibition at the Sackler Museum, Oct 21 1985 - Jan 5 1986, 131
  • Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), no. 341, p. 290, repr.
  • Peter C. Bunnell, Minor White: The Eye That Shapes, Princeton University Art Museum and Bulfinch Press (Princeton, NJ, 1989), 260

Exhibition History

  • Masterful Points of View, Fogg Art Museum, Cambridge, 04/25/1979 - 05/30/1979
  • Modern Art at Harvard, Harvard University Art Museums, Cambridge, 10/21/1985 - 01/05/1986

Verification Level

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu