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Identification and Creation

Object Number
G3283
People
Rembrandt Harmensz. van Rijn, Dutch (Leiden 1606 - 1669 Amsterdam)
Title
Lieven Williamsz. van Coppenol, Writing Master: The Larger Plate
Classification
Prints
Work Type
print
Date
c. 1658
Places
Creation Place: Europe, Netherlands
Culture
Dutch
Persistent Link
https://hvrd.art/o/279656

Physical Descriptions

Medium
Etching, engraving, and drypoint with plate tone on white antique laid paper
Technique
Etching, engraving and drypoint
Dimensions
plate: 34.2 × 28.7 cm (13 7/16 × 11 5/16 in.)
Inscriptions and Marks
  • inscription: verso, upper center and upper right, brown ink, probably in the same hand: H / N/..
  • collector's mark: verso, purple stamp with graphite numbering within: [Gray Collection accession stamp (Lugt 4836)] 3283
  • inscription: verso, graphite: fr. Ev. Debr. 56 / [pound sign]31.10/ [Gray acquisition information: acquired from Evans, London, December 1856 for 30 guineas]
  • inscription: verso, graphite: 263
  • watermark: IHS [with a crown above the Latin cross; Hinterding v. 2, p. 158, C.a., unidentified twinmark. No IHS papers appear inHinterding's chronological listing of Rembrandt's papers, suggesting that this is a posthumous impression.]

Provenance

Recorded Ownership History
Francis Calley Gray, bequest to nephew, 1856.
William Gray, gift to Harvard University, 1857.

State, Edition, Standard Reference Number

State
iv/ix
Standard Reference Number
New Hollstein 306, Bartsch 283, Hind 300, R,. 283

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of William Gray from the collection of Francis Calley Gray
Object Number
G3283
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Descriptions

Description
This print is made from the larger plate

Publication History

  • Tom Rassieur and George S. Keyes, Rembrandt in America: Collecting and Connoisseurship, exh. cat., Skira Rizzoli (New York, NY, 2011), p. 61, repr. p. 61 as fig. 28

Exhibition History

  • Rembrandt: A Selection of his Works, Busch-Reisinger Museum, Cambridge, 10/18/1984 - 12/11/1984
  • Ancient to Modern, Harvard Art Museums, Cambridge, 01/31/2012 - 06/01/2013

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu