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Identification and Creation

Object Number
R2968
People
Giovanni Antonio Canal, called Canaletto, Italian (Venice, Italy 1697 - 1768 Venice, Italy)
Title
Imaginary View of Padua
Other Titles
Alternate Title: Murano
Classification
Prints
Work Type
print
Date
c. 1741
Culture
Italian
Persistent Link
https://hvrd.art/o/242374

Physical Descriptions

Medium
Etching printed in black ink on white antique laid paper
Technique
Etching
Dimensions
plate: 30 × 43.7 cm (11 13/16 × 17 3/16 in.)
Inscriptions and Marks
  • inscription: etched in lower margin, centered: A. Canal. f.
  • inscription: lower right corner of margin, graphite: S. [or 8.?]
  • inscription: verso, various graphite inscriptions: K 2[?] [underlined with two illeg. digits or letters below] / B / $3.00 / [illeg.E[underlined with struck-through illeg. letters below and four hash marks struck through to the right followed by] bc [, all over] ul / DeV11 M11 / No. 6 / /BO /2B / [illeg.]100 [struck through]
  • collector's mark: verso, faded purple stamp with accession number written in graphite:
    JOHN WITT RANDALL COLL. / HARVARD COLLEGE / no. 2968[number on a dotted line] [Lugt 2130]

Provenance

Recorded Ownership History
John Witt Randall, bequest to his sister.
Belinda Lull Randall, gift to Harvard University, 1892. sister of John Witt Randall

State, Edition, Standard Reference Number

State
i/iii
Standard Reference Number
DeVesme 11, Bromberg 11

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Belinda L. Randall from the collection of John Witt Randall
Object Number
R2968
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), no. 320, p 274, repr.
  • Sarah Vure, The John Witt Randall Collection: Seeking the True and the Beautiful, brochure, Harvard University Art Museums (Cambridge, MA, 1998), checklist no. 7
  • Michael Cole, ed., The Early Modern Painter-Etcher, Pennsylvania State University Press (University Park, PA, 2006), repr. as fig. 55 on p.76 [not Harvard impression, related bibliography]

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu