- Identification and Creation
- Object Number
- Capital from Moutiers-Saint-Jean; principal face: The Sacrifice of Cain and Abel; right face: Samson Wrestling the Lion; left face: Tree of Life(?)
- Architectural Elements
- Work Type
- architectural element
- c. 1125-1130
- Creation Place: Europe, France, Moutiers-Saint-Jean
- Physical Descriptions
- 70 x 64 x 59 cm (27 9/16 x 25 3/16 x 23 1/4 in.)
- Acquisition and Rights
- Credit Line
- Harvard Art Museums/Fogg Museum, Friends of the Fogg Art Museum Fund
- Accession Year
- Object Number
- European and American Art
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- Publication History
"America Acquires Romanesque Art", The International Studio (October 1922), vol. LXXVI, no. 305, pp. 37-39, pp. 37-39, repr.
Arthur Kingsley Porter, "Romanesque Capitals", Fogg Art Museum Notes (1922), pp. 22-36, p. 30; repr. as figs. 6, 16
Fogg Art Museum Handbook, Fogg Art Museum (Cambridge, MA, 1931), p. 20, repr.
S. Lane Faison, Jr., A Guide to the Art Museums of New England, Harcourt, Brace and Co. (New York, 1958), p. 112, repr.
Horace L. Friess and Herbert W. Schneider, Religion in Various Cultures, Henry Holt and Co. (New York, NY, 1965), repr. p. 374 as fig. 167
Pearl F. Braude, "'Cokkel in oure Clene Corn': Some Implications of Cain's Sacrifice", GESTA, International Center of Medieval Art (New York, 1968), Vol. 7, pp. 15-17, repr. in b/w as figs. 1, 3, and 4.
Linda Seidel, "Romanesque Sculpture in American Collections: IX: The William Hayes Fogg Art Museum: I: Burgundy", GESTA (1972), vol XI, no. 1, no. 1b, repr.
Robert P. Bergman, "Varieties of Romanesque Sculpture", Apollo (May 1978), 107, p. 372; repr. as fig. 1, p. 370
Walter Cahn and Linda Seidel, Romanesque Sculpture in American Collections, volume 1: New England Museums, Burt Franklin & Co., Inc. (New York, NY, 1979), no. 1b, fig. 122
Neil Stratford, "Sculpture Romane Originaire de Moutiers-Saint-Jean", Mémoires de la Commission des Antiquités du Départment de la Côte-d'Or (1980-1981), Tome XXXII, pp. 327-335, p. 327
Jane Hayward and Walter Cahn, Radiance and Reflection: Medieval Art from the Raymond Pitcairn Collection, exh. cat., The Metropolitan Museum of Art (New York, NY, 1982), p. 81
Kristin A. Mortimer and William G. Klingelhofer, Harvard University Art Museums: A Guide to the Collections, Harvard University Art Museums and Abbeville Press (Cambridge and New York, 1986), no. 138, p. 122, repr.
Neil Stratford, "La Sculpture Médiévale de Moutiers Saint-Jean (Saint-Jean-de-Réome)", Congrès Auxois-Châtillonnais (Paris, 1989), pp. 157-201, p. 169, repr. in b/w p. 168 as figs. 15 and 16
Elizabeth Bradford Smith, Medieval Art in America: Patterns of Collecting 1800-1940, exh. cat., Palmer Museum of Art (University Park, PA, 1996), p. 176
Christine Smith, ed., Before and After the End of Time: Architecture and the Year 1000, exh. cat., George Braziller (New York, NY, 2000), pp. 38, 52
Kathryn Brush, Vastly More than Brick and Mortar: Reinventing the Fogg Art Museum in the 1920s, Harvard University Art Museums/Yale University Press (Cambridge MA / New Haven, CT, 2003), pp. 54-56
The Limestone Sculpture Provenance Project, website, 2004
Kathryn Brush, "The Capitals from Moutiers-Saint-Jean (Harvard University Art Museums) and the Carving of Medieval Art Study in American after World War I", Medieval Art and Architecture after the Middle Ages, ed. Janet Marquardt and Alyce Jordan, Cambridge Scholars Publishing (Newcastle upon Tyne, United Kingdom, 2009), p. 298; repr. as fig. 3 on p. 299.
- Subjects and Contexts
Google Art Project
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at email@example.com