Your Collection

Add this item to your collection
Harvard Art Museums
Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1938.110
People
Unidentified Artist
After Giovanni Bastianini, Italian (Florence, Italy 1830 - 1868 Florence, Italy)
Previously attributed to Giovanni Bastianini, Italian (Florence, Italy 1830 - 1868 Florence, Italy)
Title
Bust of a Woman
Other Titles
Alternate Title: Aloysa Strozzi
Classification
Sculpture
Work Type
bust, sculpture
Date
19th century
Culture
Italian
Persistent Link
https://hvrd.art/o/230612

Physical Descriptions

Medium
Marble with polychrome
Dimensions
55.8 x 50.2 x 22 cm (21 15/16 x 19 3/4 x 8 11/16 in.)

Provenance

Recorded Ownership History
George Pinku, Berlin-Friednau, 1910, sold [through E. Pinkus]; [1] to Fogg Art Museum, 1938

Notes
[1] Correspondence in curatorial file indicates Pinkus purchased the work from the heirs of the artist, however, in 2006 Anita Moskowitz identified this work as a copy of the original by Bastianini

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Meta and Paul J. Sachs
Accession Year
1938
Object Number
1938.110
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

  • F. Neugass, "Triumph der Fälscher", Die Weltkunst (1973), vol. 24, pp. 2228-2229, repr. p. 2228
  • Samuel Sachs, Fakes and Forgeries, exh. cat., Minneapolis Institute of Arts (Minneapolis, MN, 1973), cat. 101, ill.
  • Mauro Natale and Claude Ritschard, L'art d'imiter : images de la Renaissance italienne au Musée d'art et d'histoire, exh. cat., Ville de Geneve, Departement des affaires culturelles (Geneva, Switzerland, 1997), p. 183, no. 2
  • Anita F. Moskowitz, "The Case of Giovanni Bastianini - II: A Hung Jury?", Artibus et Historiae (2006), vol. 27, no. 54, pp. 201-218, p. 209; repr. p. 212
  • Sally Anne Duncan and Andrew McClellan, The Art of Curating: Paul J. Sachs and the Museum Course at Harvard, Getty Research Institute (Los Angeles, 2018), pp. 130-131, repr. as fig. 76

Exhibition History

  • Fakes and Forgeries, Minneapolis Institute of Arts, Minneapolis, 07/11/1973 - 09/29/1973

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu