in situ gallery photography Photo © President and Fellows of Harvard College
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in situ gallery photography Photo © President and Fellows of Harvard College
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Gallery Text

With her large body and frontal pose, the Virgin here functions as a throne for Christ, a visual expression of her status as the Mother of God and source of wisdom. While the symmetry and rigid composition of the work are characteristic of Romanesque sculpture, these qualities are disrupted by the soft lines of falling drapery and the off-center stance of the Christ child. Relatively lightweight, this sculpture was probably a cult statue carried in religious processions, touched, and even kissed, by worshippers. It may have held relics embedded in its body, which would have endowed it with a sacred presence. Remains of pigment and holes at both figures’ necks indicate that the sculpture was once painted and ornamented with precious metal or gems.

Identification and Creation

Object Number
1937.29
People
Unidentified Artist
Title
Virgin and Child in Majesty (Seat of Divine Wisdom)
Other Titles
Alternate Title: Madonna and Child Enthroned
Classification
Sculpture
Work Type
sculpture
Date
1170s
Culture
French
Persistent Link
https://hvrd.art/o/230527

Location

Location
Level 2, Room 2440, Medieval Art
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Physical Descriptions

Medium
Polychromed wood
Dimensions
69.2 x 30.2 x 22.2 cm (27 1/4 x 11 7/8 x 8 3/4 in.)

Provenance

Recorded Ownership History
[Durlacher Brothers, New York, NY], sold; to Edward Forbes for Fogg Art Museum, 1937.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Friends of the Fogg Art Museum Fund
Accession Year
1937
Object Number
1937.29
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

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Publication History

  • [Reproduction Only], Magazine of Art, (November 1937)., p. 671, detail of head repr.
  • Evelyn Stevenson, "An Afternoon at the Fogg", Cambridge Chronicle (October 5, 1972)
  • Ilene H. Forsyth, The Throne of Wisdom: Wood Sculptures of the Madonna in Romanesque France, Princeton University Press (Princeton, NJ, 1972), pp. 148-150; pp. 197-8 no. 102; figs. 178-81
  • Jane Hayward and Walter Cahn, Radiance and Reflection: Medieval Art from the Raymond Pitcairn Collection, exh. cat., The Metropolitan Museum of Art (New York, NY, 1982), p. 114, no. 41

Exhibition History

  • 32Q: 2440 Medieval, Harvard Art Museums, Cambridge, 11/16/2014 - 01/01/2050

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Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu