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Gallery Text

Chassériau composed this scene after spending two months in Algeria in 1846. Like Eugène Delacroix, whose work he admired, Chassériau drew artistic inspiration from his experiences in North Africa. Unlike the older painter, who produced numerous fictional illustrations after his travels in Morocco, Chassériau promoted the documentary portrayal of the “Orient.” Here, for example, he notes the brutality of the African battlefield — likely a reference to the violent clashes between Algeria’s Arab population and the French colonialists. Although he championed realistic representations, Chassériau here employs classical compositional strategies. He divides the scene into three distinct planes, placing a field of corpses in the foreground, a convoy of horsemen behind them, and a rugged landscape in the background. Draped in a chalky white robe evocative of the mountains beyond, the centrally positioned Arab rises above the rest of the scene, a figure of human courage and endurance.

Identification and Creation
Object Number
1943.219
People
Théodore Chassériau, French (Ste. Barbe de Samana, S. America 1819 - 1856 Paris)
Title
Arab Horsemen Carrying Away Their Dead
Other Titles
Original Language Title: Cavaliers Arabes Enlevant Leurs Morts
Alternate Title: Arab Combat / Arab Horsemen Carrying Away their Dead after a Clash with the Spahis
Classification
Paintings
Work Type
painting
Date
1850
Culture
French
Location
Level 2, Room 2120, European and American Art, 17th–19th century, The Lure of the East
View this object's location on our interactive map
Physical Descriptions
Medium
Oil on canvas
Dimensions
168.9 x 251.8 cm (66 1/2 x 99 1/8 in.)
framed: 194.5 x 273.4 x 7.9 cm (76 9/16 x 107 5/8 x 3 1/8 in.)
Inscriptions and Marks
  • Signed: l.l.: Th. Chasseriau 1850
Provenance
Sold [through Vente Chassériau, Hôtel Druot, Paris, March 16-17, 1857 no. 2]. Paul van Cuyck, Paris, France, sold [van Cuyck sale, Paris, 1866, no. 5]. Isaac Péreire, Paris, 1872, by descent (?); to Mme Péreire, Paris [1], sold; to Grenville Lindall Winthrop, New York, NY, 1934 [through Martin Birnbaum], bequest; to Fogg Art Museum, 1943.

[1] This painting is listed as for sale through Sandoz in Paris in February 1903.
Acquisition and Rights
Credit Line
Harvard Art Museums/Fogg Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.219
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
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Publication History

L. de Geoffroy, "Le Salon de 1850", La Revue des Deux Mondes (March 1851)

Etienne-Jean Delécluze, "Salon de 1850", Journal des Débats (Paris, France, January 1851-March 1851)

Albert de La Fizeliére, Exposition Nationale, Salon de 1850-1851, Passard, Deflorenne (Paris, 1851)

Charles-Phillippe, Marquis de Chennevières-Pointel, Lettres sur l'art français, Imprimerie de Barbier (Argentan, France, 1851)

Albert de La Fizeliére, Salon, 1850 (Paris, France, December 1851)

Theophile Gautier, Salon, 1850-1851 (Paris, France, 1851)

Baschet, Chassériau (1854), no. 4

Charles Perrier, "Exposition Universelle des Beaux-Arts VII: La Peinture Française--Histoire, L'Artiste (July 1, 1855), vol. XV, p. 115

Theophile Gautier, Les Beaux-Arts en Europe, M. Lévy Frères (Paris, France, 1855), vol. I, chapter 19

Du Pays, Salon, 1855 (Paris, France, 1855)

Paul Mantz, Chassériau (1856), no. 4

Theophile Gautier, "Atelier de feu Théodore Chassériau", L'Artiste (March 15, 1857), series 6, 3, pp. 209-211

Valbert Chevillard, Un Peintre Romantique: Theodore Chasseriau (Paris, France, 1893), nos. 69, 85

Jean Laran, Chassériau, J. Gillequin & Cie (Paris, France, 1911), pp. 7, 12, 85-86; repr. as pl. 35

Vaillat, Chasseriau, Arthur (1913), p. 22; repr. p. 11

Paul Jamot, [Unidentified article], Revue de l'art ancien et moderne (February 1920), p. 76

Raymond Escholier, "L'Orientalism de Chasseriau", Gazette des Beaux-Arts (February 1921), series 5, 3, pp. 89-107, p. 106

Lloyd Goodrich, "Théodore Chassériau", The Arts (August 1928), 14, no. 2, pp. 60-100, p. 85, repr. p. 88

Jean Alazard, "Les Peintres de l'Algerie au XIxe siècle", Gazette des Beaux-Arts (March 1930), series 6, 3, pp. 370-387, p. 376

Exposition du centenaire de la conquête de l'Algérie, 1830-1930, exh. cat., Petit Palais, Paris (Paris, France, 1930), repr. in sepia between pps 72-73. no. 99

Léonce Bénédite, Théodore Chassériau, sa vie et son oeuvre, Braun et Cie (Paris, France, 1931), repr. vol. II, pl. LVII, facing p. 514

Marc Sandoz, Chasseriau (1968), pp. 186-187

Marc Sandoz, Théodore Chassériau, 1819-1856: catalogue raisonné des peintures et estampes, Arts et Metiers Graphiques (Paris, France, 1974), no. 174, pp. 316 - 317, repr. in b/w as pl. CLIII

Louis-Antoine Prat, Dessins de Théodore Chassériau : 1819-1856, Editions de la Réunion des Musées Nationaux (Paris, France, 1988), pp. 275-278, repr.; nos. 682, 1846, 2001, 2032, 2248, 2250, 2257, AUXIII

Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990), p. 102; repr. as no. 283

Christine Peltre, Théodore Chassériau, Gallimard (Paris, 2001), repr. pp. 144-145 as fig. 163

Chikashi Kitazaki and Mina Oya, ed., Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, exh. cat., National Museum of Western Art (Ueno, 2002), pp. 96-97, cat. #15, color repr.

Stephan Wolohojian, ed., A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, exh. cat., The Metropolitan Museum of Art and Yale University Press (U.S.) (New York, 2003), no. 7, pp. 58-60, repr. in color

Stephan Wolohojian, Ingres, Burne-Jones, Whistler, Renoir... La Collection Grenville L. Winthrop, exh. cat., Musée des Beaux-Arts de Lyon and Réunion des Musées Nationaux (Paris, France, 2003), no. 7, pp. 66-68, repr. in color

Exhibition History

Annual Exhibition, 1850-1851, Palais National, Paris, 12/30/1850 - 01/31/1851

Annual Exhibition, 1851, Galerie de la Société des Amis des Arts, Bordeaux, 11/15/1851 - 12/31/1851

Exposition Nationale Coloniale, [Unknown venue, Marseille], Marseille, 01/01/1906 - 12/31/1906

Exposition du Centenaire de la Conquête de l'Algerie, 1830-1930, Petit Palais, Paris, Paris, 05/01/1930 - 06/30/1930

Chassériau, 1819-1856, Musée de l'Orangerie, Paris, 01/01/1933 - 12/31/1933

Between Reality and Dreams: Nineteenth Century British and French Art from the Winthrop Collection of the Fogg Art Museum, National Museum of Western Art, Tokyo, 09/14/2002 - 12/08/2002

A Private Passion: 19th-Century Paintings and Drawings from the Grenville L. Winthrop Collection, Harvard University, Musée des Beaux-Arts de Lyon, Lyon, 03/15/2003 - 05/26/2003; National Gallery, London, 06/25/2003 - 09/14/2003; The Metropolitan Museum of Art, New York, 10/23/2003 - 01/25/2004

For Students of Art and Lovers of Beauty: Highlights from the Collection of Grenville L. Winthrop, Harvard University Art Museums, Fogg Art Museum, Cambridge, 04/16/2004

32Q: 2120 19th Century, Harvard Art Museums, Cambridge, 11/01/2014

Subjects and Contexts

Google Art Project

Related Works

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu