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Identification and Creation

Object Number
1964.35
People
Kenneth Noland, American (Asheville, NC 1924 - 2010 Port Clyde, ME)
Title
Hover
Classification
Paintings
Work Type
painting
Date
1963
Places
Creation Place: North America, United States
Culture
American
Persistent Link
https://hvrd.art/o/228408

Physical Descriptions

Medium
Acrylic resin paint (magna) on canvas
Dimensions
176.9 x 176.9 cm (69 5/8 x 69 5/8 in.)
framed: 180.02 x 179.71 x 3.81 cm (70 7/8 x 70 3/4 x 1 1/2 in.)

Provenance

Recorded Ownership History
[André Emmerich Gallery, Inc., New York, New York], sold; to Fogg Art Museum, 1964.

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Louise E. Bettens Fund
Copyright
© Kenneth Noland Estate / Artists Rights Society (ARS), New York
Accession Year
1964
Object Number
1964.35
Division
Modern and Contemporary Art
Contact
am_moderncontemporary@harvard.edu
Permissions

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Publication History

  • Michael Fried, "'Hover' by Kenneth Noland", Fogg Art Museum Acquisitions, 1964, Fogg Art Museum (Cambridge, MA, 1965), pp. 60-63, reproduced p. 61
  • George Rickey, Constructivism: Origins and Evolution, George Braziller, Inc. (New York, NY, 1967), reproduced
  • John Coplans, Serial Imagery, exh. cat., Pasadena Art Museum (Pasadena, CA, 1968), reproduced p. 85
  • Diane Waldman, Kenneth Noland: A Retrospective, exh. cat., Solomon R. Guggenheim Museum (New York, NY, 1977), no. 33, reproduced in color p. 71
  • Caroline A. Jones, Modern Art at Harvard: The Formation of the Nineteenth- and Twentieth-Century Collections of the Harvard University Art Museums (New York, NY and Cambridge, MA, Harvard University Art Museums and Abbeville Press, 1985). With an essay by John Coolidge and a preface by John M. Rosenfield. To accompany the inaugural exhibition at the Sackler Museum, Oct 21 1985 - Jan 5 1986, reproduced in color, fig. 71, p. 78

Exhibition History

  • The 8 Americans in the 1964 Venice Bienniale, Institute of Contemporary Art, Boston, Boston, 06/20/1964 - 07/26/1964
  • New Directions in Collecting, Institute of Contemporary Art, Boston, Boston, 04/08/1967 - 05/14/1967; Berkshire Museum, Pittsfield, 07/05/1967 - 07/25/1967
  • Kenneth Noland: A Retrospective, Solomon R. Guggenheim Museum, New York, 04/15/1977 - 07/05/1977
  • Modern Art at Harvard, Harvard University Art Museums, Cambridge, 10/21/1985 - 01/05/1986
  • Modern Art at Harvard, Bunkamura Museum of Art, Tokyo, 07/31/1999 - 09/26/1999; Takamatsu City Museum of Art, Kagawa, 10/09/1999 - 11/14/1999; Matsuzakaya Art Museum, Nagoya, 12/02/1999 - 12/27/1999; Oita City Museum, Oita, 01/06/2000 - 02/06/2000; Museum of Modern Art, Ibaraki, Ibaraki, 02/11/2000 - 03/26/2000
  • 32Q: 1110 Mid-Century Abstraction II (Post-Painterly Abstraction), Harvard Art Museums, Cambridge, 11/16/2014 - 02/04/2015; Harvard Art Museums, Cambridge, 02/04/2015 - 10/07/2015

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu