Photo © President and Fellows of Harvard College
Unable to open [object Object]: HTTP 0 attempting to load TileSource: https://ids.lib.harvard.edu/ids/iiif/492139923/info.json
Photo © President and Fellows of Harvard College
This object does not yet have a description.

Identification and Creation

Object Number
1974.30
People
Follower of Gerard David, Netherlandish (Oudewater c. 1460 - 1523 Bruges)
? Master of Évora, Netherlandish
Previously given to workshop of Gerard David, Netherlandish (Oudewater c. 1460 - 1523 Bruges)
Title
The Descent of the Holy Spirit
Classification
Paintings
Work Type
painting
Date
c. 1515
Places
Creation Place: Europe, Netherlands
Culture
Flemish
Persistent Link
https://hvrd.art/o/227347

Physical Descriptions

Medium
Oil on canvas
Dimensions
99.7 x 71.8 cm (39 1/4 x 28 1/4 in.)
framed: 109.7 x 82.1 x 4.7 cm (43 3/16 x 32 5/16 x 1 7/8 in.)

Provenance

Recorded Ownership History
Mrs. Morton Peabody Prince, gift; to Fogg Art Museum, 1974

Acquisition and Rights

Credit Line
Harvard Art Museums/Fogg Museum, Gift of Mrs. Morton Peabody Prince
Accession Year
1974
Object Number
1974.30
Division
European and American Art
Contact
am_europeanamerican@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Publication History

  • Edgar Peters Bowron, European Paintings Before 1900 in the Fogg Art Museum: A Summary Catalogue including Paintings in the Busch-Reisinger Museum, Harvard University Art Museums (Cambridge, MA, 1990)
  • Dr. Maryan W. Ainsworth, Gerard David: Purity of Vision in an Age of Transition, The Metropolitan Museum of Art (New York, NY, 1998), pp. 42-44
  • Dr. Maryan W. Ainsworth, "Was Simon Bening a Panel Painter?", Als Ich Can: Liber Amicorum in Memory of Professor Dr. Maurits Smeyers, Peeters (Paris, France, 2002), vol. I, pp. 1-25, pp. 7, 9, repr. as ill. 5
  • Didier Martens and Hélène Mund, "Autour de la 'Pentecôte Rapaert' du Maître des Portraits Baroncelli: Modèles et Traditions dans la Peinture Brugeoise à l'aube des Temps Modernes", Jahrbuch der Berliner Museen (2003), pp. 27-32, repr. as fig 27

Exhibition History

  • 32Q: 2540 Renaissance, Harvard Art Museums, Cambridge, 09/04/2021 - 03/21/2022

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of European and American Art at am_europeanamerican@harvard.edu