BR68.13: Sleeping Figure with Blanket
Drawings
This object does not yet have a description.
Identification and Creation
- Object Number
- BR68.13
- People
-
Egon Schiele, Austrian (Tulln, Austria 1890 - 1918 Vienna, Austria)
- Title
- Sleeping Figure with Blanket
- Other Titles
-
Original Language Title: Schlafende mit Decke
Former Title: Drapery Study - Classification
- Drawings
- Work Type
- drawing
- Date
- 1910
- Culture
- Austrian
- Persistent Link
- https://hvrd.art/o/222701
Physical Descriptions
- Medium
- Watercolor and charcoal on tan paper
- Dimensions
-
sight: 31 x 44.3 cm (12 3/16 x 17 7/16 in.)
frame: 58.7 × 74 cm (23 1/8 × 29 1/8 in.) - Inscriptions and Marks
-
- Signed: initialed in graphite at l.r.: S
- inscription: u.r., graphite, handwritten, in artist's hand: S. 10.
- label: Removed from backing board: B-R / Busch-Reisinger Museum Harvard Universtiy, 29 Kirkland Street, Cambridge, Massachusetts 02138 / Accession No. 1968.13 / Title: Drapery Study / Artist: Egon Schiele (1890-1918) / Date: 1910 / Medium: Watercolor and charcoal / Size: 12 1/4 x 17 1/2 in. / Purchase, Selma Sobin and Antonia Paepcke DuBrul Funds
- label: Removed from backing board: B-R / Busch-Reisinger Museum Harvard Universtiy, 29 Kirkland Street, Cambridge, Massachusetts 02138 / DEUTSCHE KUNST DES 20. JAHRHUNDERTS AUS DEM BUSCH-REISINGER MUSEUM, HARVARD UNIVERSITY / Schiele, Drapery Study (Gewandstudie) check list number 121 crate number 18 / Stadel Frankfurt Oct. 21, 1982-Jan. 19, 1983 / Bauhaus-Archiv, Berlin Feb. 10, 1983-April 1983 / Kunstmuseum, Dusseldorf May 8, 1983-June 26, 1983
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Busch-Reisinger Museum, Selma H. Sobin and Antonia Paepcke DuBrul Funds
- Accession Year
- 1968
- Object Number
- BR68.13
- Division
- Modern and Contemporary Art
- Contact
- am_moderncontemporary@harvard.edu
- Permissions
-
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Publication History
- Accessions of American and Canadian Museums, April-June 1968, The Art Quarterly, ed. Willis F. Woods, Paul L. Grigaut, Frederick Cummings, and Graham Hood (New York, 1968), Vol. XXXI, No. 4, pp. 454-455, pp. 454-455, ill.
- Marjorie B. Cohn, Wash and Gouache: A Study of the Development of the Materials of Watercolor, exh. cat., Fogg Art Museum (Cambridge, 1977), pp. 9, 28, cat. no. 56 p. 108
- Charles Werner Haxthausen, The Busch-Reisinger Museum, Harvard University, Abbeville Press (New York, NY, 1980), p. 133, repr.
- Jane Kallir, Egon Schiele, The Complete Works: Including a Biography and a Catalogue Raisonne, Harry N. Abrams, Inc. (New York, NY, 1990), no. 403
- Peter Nisbet and Joseph Koerner, The Busch-Reisinger Museum, Harvard University Art Museums, ed. Peter Nisbet, Harvard University Art Museums and Scala Publishers Ltd. (Cambridge, MA and London, England, 2007), p. 177
Exhibition History
- Drawings & Watercolors by Egon Schiele, Des Moines Art Center, Des Moines, 09/20/1971 - 10/31/1971; Columbus Gallery of Fine Arts, Columbus, 11/15/1971 - 12/19/1971; The Art Institute of Chicago, Chicago, 01/03/1972 - 02/13/1972
- Wash and Gouache: A Study of the Development of the Materials of Watercolor, Fogg Art Museum, Cambridge, 05/12/1977 - 06/22/1977
- 20th-Century Works on Paper from the Permanent Collection, Busch-Reisinger Museum, Cambridge, 09/07/1981 - 11/11/1981
- Deutsche Kunst des 20. Jahrhunderts aus dem Busch-Reisinger Museum, Stadtische Galerie im Stadelschen Kunstinstitut, Frankfurt, 10/23/1982 - 01/16/1983; Bauhaus-Archiv, Berlin 30, 02/10/1983 - 04/17/1983; Kunstmuseum Düsseldorf, Düsseldorf, 05/08/1983 - 06/26/1983
- “As though my body were naught but ciphers”: Crises of Representation in Fin-de-Siècle Vienna, Harvard University Art Museums, Busch-Reisinger Museum, 02/12/2005 - 06/12/2005
- 32Q: 1440 Secessionism: Munich, Vienna, Berlin (Expressionism), Harvard Art Museums, Cambridge, 03/11/2024 - 09/30/2024
- Flowers of Evil: Symbolist Drawings, 1870–1910, Harvard Art Museums, Cambridge, 05/21/2016 - 08/14/2016
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Modern and Contemporary Art at am_moderncontemporary@harvard.edu