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Identification and Creation

Object Number
2009.202.218
Title
Baz Bahadur and Rupmati Riding Horses and with Hunting Falcons
Classification
Paintings
Work Type
painting
Date
19th century
Places
Creation Place: South Asia, India, Himachal Pradesh
Culture
Indian
Persistent Link
https://hvrd.art/o/217178

Physical Descriptions

Medium
Ink, opaque watercolor and gold on paper; Pahari Style
Dimensions
17 x 22.8 cm (6 11/16 x 9 in.)
Inscriptions and Marks
  • inscription: Language: Persian
    Script: Nasta’liq
    On Rupmati’s orange dress:
    روپمتی
    Rupmati
    On Baz Bahadur’s pink robe:
    باز بحادور
    Baz Bahadur

Provenance

Recorded Ownership History
Stuart Cary Welch (by 1983 - 2008,) by descent; to his estate (2008-2009,) gift; to Harvard Art Museum.

Notes:
Object was part of long-term loan to Museum in 1983.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, The Stuart Cary Welch Collection, Gift of Edith I. Welch in memory of Stuart Cary Welch
Accession Year
2009
Object Number
2009.202.218
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Description
In the center of the painting, in an open, green field, is Rupmati. She is shown wearing a red-orange turban with a gold sash and a long red-orange dress with a slit down the chest. Her long black hair falls past her back. With her left hand she holds the reigns of her brown horse, while her left hand wears a glove and supports a white falcon. Riding beside her on a gray and white dappled horse with henna-dyed legs is Baz Bahadur. He wears a pink turban with a gold sash and a long pink robe. His left hand gestures in conversation, while his right hand supports a white falcon. Rupmati and Baz Bahadur gaze into each other’s eyes. Rupmati was a Hindu shepherdess and a singer. Once out hunting, Baz Bahadur, the last Sultan of Malwa in present-day Madhya Pradesh (r. 1555-1562) heard her melodious voice and was enchanted by her beauty. They both fell in love and were married according to both Hindu and Muslim rites. Pahari style.

Exhibition History

  • Out of the Hills: Miniature Painting from Himalayan India, Harvard University Art Museums, Fogg Art Museum, Cambridge, 05/26/1984 - 07/08/1984

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu