Your Collection

Add this item to your collection
Harvard Art Museums
Incorrect Username, Email, or Password
A flat, lusterware tile that is in the shape of an eight pointed star. It is colored medium red-brown with some wear. White lines depict a symmetrical pattern of griffins, large leaves, birds, and swirls in between.

A flat, lusterware tile that is in the shape of an eight pointed star on a white background. It is colored medium red-brown with some wear throughout the piece. White lines depict a symmetrical pattern of standing griffins at the top, large swirled leaves at the center and along the edges, birds at the bottom, and small swirls in between these figures. There is also a white line that follows the inner frame of the star shape.

Gallery Text

Perhaps the most important contribution of Muslim potters, the application of luster to a ceramic surface was not limited to vessels. As early as the ninth century, this costly technique was applied to wall tiles to distinguish parts of buildings. In the eastern Islamic lands during the medieval era, the use of colored tiles — decorated with luster but with other techniques as well — increased in complexity and scope. In both religious and secular buildings, large surface areas came to be sheathed in brilliant ceramic revetments. The use of glazed ceramics for architectural decoration continued into the early modern era, culminating in the great monuments of the Safavid and Ottoman Empires.

The luster tiles gathered here would have been integrated into the decoration of buildings of the Seljuk-Atabeg (1037–c. 1220) and Ilkhanid (1256–1335) periods. Although the star tiles bear self-contained designs, they were intended to interlock with cruciform tiles in a grid. Three of the tiles feature inscriptions. The two large stars, which were probably intended for the interior of a religious shrine, reproduce verses from the Qurʾan in Arabic. The tile with figural imagery bears fragments of poetry in Persian, demonstrating the revival of Persian as a literary language in the medieval era.

Identification and Creation

Object Number
1931.126
Title
Star Tile with Griffins, Birds and Leaves
Classification
Architectural Elements
Work Type
architectural element
Date
c. 1200
Places
Creation Place: Middle East, Iran, Kashan
Period
Seljuk-Atabeg period
Culture
Persian
Persistent Link
https://hvrd.art/o/216920

Location

Location
Level 2, Room 2550, Art from Islamic Lands, The Middle East and North Africa
View this object's location on our interactive map

Physical Descriptions

Medium
Fritware with luster decoration
Dimensions
H: 16.5 x W: 16.5 x Depth: 1.2 cm (6 1/2 x 6 1/2 x 1/2 in.)

Provenance

Recorded Ownership History
Denman Waldo Ross, Cambridge, MA, (by 1931), gift; to Fogg Art Museum, 1931.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Dr. Denman W. Ross
Accession Year
1931
Object Number
1931.126
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Commentary
Label text from exhibition “Re-View,” an overview of objects drawn from the collections of Harvard Art Museums, 26 April 2008 – 1 July 2013; label text written by Mary McWilliams, Norma Jean Calderwood Curator of Islamic and Later Indian Art, Division of Asian and Mediterranean Art:

Star Tile with Griffins and Birds amid Arabesque
Iran, Kashan, Saljuq-Atabeg period, late 12th–early 13th century
Fritware with luster painting over glaze
Arthur M. Sackler Museum, Gift of Dr. Denman W. Ross, 1931.126

Publication History

  • Stanley Ferber, ed., Islam and the Medieval West: A Loan Exhbition at the University Art Gallery April 6-May 4, 1975, University of New York (Binghamton, NY, 1975), fig. 41b.

Exhibition History

  • Islamic Art From the Collections of the Fogg Art Museum, Harvard University, Fogg Art Museum, Cambridge, 08/01/1974
  • Pattern and Purpose. Decorative Arts of Islam., Harvard University Art Museums, Cambridge, 02/19/1994 - 07/03/1994
  • Overlapping Realms: Arts of the Islamic World and India, 900-1900, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 12/02/2006 - 03/23/2008
  • Re-View: Arts of India & the Islamic Lands, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 04/26/2008 - 06/01/2013
  • 32Q: 2550 Islamic, Harvard Art Museums, Cambridge, 11/16/2014 - 01/01/2050

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu