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Identification and Creation

Object Number
1973.170.A
People
Unknown Artist
Title
Procession Scene with Shiva, Brahma, and Kali
Classification
Paintings
Work Type
painting
Date
18th-19th century
Places
Creation Place: South Asia, India, Rajasthan, Sirohi
Culture
Indian
Persistent Link
https://hvrd.art/o/216423

Physical Descriptions

Medium
Opaque watercolor, gold, and silver on paper; Rajput Style
Dimensions
22.23 x 26.67 cm (8 3/4 x 10 1/2 in.)

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of John Kenneth Galbraith
Accession Year
1973
Object Number
1973.170.A
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

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Descriptions

Description
This painting features a procession scene with several Hindu deities who are surrounded by various human, mythical, and zoomorphic creatures. At the center is the Hindu god Shiva, lord of destruction. He possesses several of his iconic attributes: matted hair, cobras, his trident, third eye, and a font of water, representing the sacred Ganges River, issuing from his hair. He is also riding on Nandi, his beloved bull mount. Facing him is a priest carrying prayer beads in one hand and a stringed instrument in the other, as well as the god Brahma, lord of creation. He bears his iconic four heads that represent the cardinal directions. Behind Shiva and Nandi is a form of the goddess Kali. Kali is the vengeful manifestation of the goddess Durga. In some mythologies, she is the wife of Shiva. Kali is depicted here naked, with three heads that bear fangs, and with her iconic dark skin. Rajput Style.

Exhibition History

  • Ambassador's Choice: The Galbraith Collection of Indian Painting, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 02/15/1986 - 04/06/1986
  • Rasika, the Discerning Connoisseur: Indian Paintings from the John Kenneth Galbraith Collection, Harvard University Art Museums, Cambridge, 01/31/1998 - 04/05/1998

Verification Level

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu