Incorrect Username, Email, or Password
This object does not yet have a description.

Identification and Creation

Object Number
1959.200.B
People
Unknown Artist
Title
Breastplate
Classification
Armor
Work Type
armor
Date
18th century
Places
Creation Place: South Asia, India
Period
Mughal period
Culture
Indian
Persistent Link
https://hvrd.art/o/215413

Physical Descriptions

Medium
Bands of floral and geometric designs in gold overlay
Technique
Kuftgari
Dimensions
28.26 x 20.32 cm (11 1/8 x 8 in.)

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Gift of Edwin L. Beckwith
Accession Year
1959
Object Number
1959.200.B
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

The Harvard Art Museums encourage the use of images found on this website for personal, noncommercial use, including educational and scholarly purposes. To request a higher resolution file of this image, please submit an online request.

Descriptions

Description
These plates of armor would have been worn over a chain mail shirt or other body armor, and would have been fastened together with leather straps attached to the metal buckles. The chest and back plates each have two additional buckles at the top for straps to go over the shoulders. All the plates were originally lined with velvet, although only a few scraps of fabric still remain attached to the rivets on the inside of the plates.

This type of armor is called chahar aineh, meaning "four mirrors" in Persian. Its origin lies in shiny metal disks worn by the Mongols on the chest and back over their armor, both for additional protection and to ward off evil spirits (which were believed to be repelled by mirrors). Persian armor was influenced by Mongol traditions following the Mongol invasion of Iran in the 13th century, and the synthesis of styles which developed in Iran then spread to India.
Notes from the Glory and Prosperity exhibition, Feb - June 2002.

Verification Level

This record was created from historic documentation and may not have been reviewed by a curator; it may be inaccurate or incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu