1943.50.122: Oblong Jade Pendant (one of a pair)
Ritual ImplementsThe jade pendant is a long and narrow rectangle shape and shown vertically on a dark grey background. The pendant is pale yellow in color with some red discoloration. There are small, curved lines on the piece that create a regular swirling pattern throughout. The edges of the pendant are straight and flat.
Gallery Text
In the Zhou dynasty the number of jades in burial sites increased significantly, as multiple plaques and beads were sewn or strung together and draped over the face and body of the deceased. Jades in the forms of figures and animals became increasingly realistic, and surface patterns became more complex and highly decorative.
Identification and Creation
- Object Number
- 1943.50.122
- Title
- Oblong Jade Pendant (one of a pair)
- Classification
- Ritual Implements
- Work Type
- pendant
- Date
- 5th century BCE
- Places
- Creation Place: East Asia, China
- Period
- Zhou dynasty, Eastern Zhou period, 770-256 BCE
- Culture
- Chinese
- Persistent Link
- https://hvrd.art/o/205228
Location
- Location
-
Level 1, Room 1740, Early Chinese Art, Arts of Ancient China from the Neolithic to the Bronze Age
Physical Descriptions
- Medium
- Evenly light gray-green nephrite
- Dimensions
-
H. 11.8 x W. 1.7 x Thickness 1 cm (4 5/8 x 11/16 x 3/8 in.)
Weight 42 g
Provenance
- Recorded Ownership History
- Grenville L. Winthrop, New York (by 1943), bequest; to Fogg Art Museum, 1943.
Published Text
- Catalogue
- Ancient Chinese Jades from the Grenville L. Winthrop Collection in the Fogg Art Museum, Harvard University
- Authors
- Max Loehr and Louisa G. Fitzgerald Huber
- Publisher
- Fogg Art Museum (Cambridge, MA, 1975)
Catalogue entry no. 373 by Max Loehr:
373 Pair of Ornate, Oblong Pendants
Rectangular, slightly tapering prisms of evenly light gray-green jade, perforated lengthwise through their centers. Their four faces are covered with a dense relief pattern of regularly repeated, asymmetrically placed hooks and curls, which produce the crenelated silhouette. One of the pieces (a) is distinguished by sparingly applied oblique striae and by thin incised circles characteristic of zoomorphic heads, such as those on No. 372, from which these designs derive. The other piece (b) lacks these striae and circles and thus results in a pattern composed solely of relief curls. On the fist piece (a), one of the narrow faces was left in an unfinished state. Early Eastern Chou.
Acquisition and Rights
- Credit Line
- Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop
- Accession Year
- 1943
- Object Number
- 1943.50.122
- Division
- Asian and Mediterranean Art
- Contact
- am_asianmediterranean@harvard.edu
- Permissions
-
THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.
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Publication History
- Dorothy W. Gillerman, ed., Grenville L. Winthrop: Retrospective for a Collector, exh. cat., Fogg Art Museum (Cambridge, 1969), no. 024, pp. 20-21, repr.
- Max Loehr and Louisa G. Fitzgerald Huber, Ancient Chinese Jades from the Grenville L. Winthrop Collection in the Fogg Art Museum, Harvard University (Cambridge, MA, Fogg Art Museum, 1975)., cat. no. 373a, p. 250
- Jenny So, Early Chinese Jades in the Harvard Art Museums (Cambridge, MA, 2019), pp. 228, 230-31, cat. 29B
Exhibition History
- S427: Ancient Chinese Bronzes and Jades, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 10/20/1985 - 04/30/2008
- Re-View: S228-230 Arts of Asia, Harvard Art Museums/Arthur M. Sackler Museum, Cambridge, 05/31/2008 - 06/01/2013
- 32Q: 1740 Early China I, Harvard Art Museums, 11/16/2014 - 01/01/2050
Subjects and Contexts
- Google Art Project
Verification Level
This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu