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Gallery Text

By the Eastern Han period (when the Han capital was located in present-day Luoyang, Henan province), Chinese potters had discovered the efficacy of using lead-fluxed glazes for their ceramic burial wares. As a fluxing agent, lead oxide lowers the melting point of a glaze, reducing the amount of fuel required for firing. Copper and iron metal oxides were added to the glaze to impart the green and brown colors reminiscent of bronzes with different patinas; they were thus especially useful for glazing ceramic wares that imitated more expensive bronze ritual vessels. The decorative elements on these objects—mystical mountains with swirling clouds, mythical beasts, immortal figures, and bear-form supports—are associated with cosmological realms of immortals and closely replicate the relief ornamentation on sumptuous Han bronzes. Although the tombs of the most wealthy and important Han personages continued to be furnished luxuriously, ceramic reproductions of expensive burial goods and tomb sculptures representing animals, servants, and entertainers became acceptable substitutes for real objects and living creatures.

Identification and Creation

Object Number
1943.52.170
Title
Circular Mirror with Decoration of Daoist Immortals and Dragons
Classification
Mirrors
Work Type
mirror
Date
late 2nd-early 3rd century CE
Places
Creation Place: East Asia, China
Period
Eastern Han (25-220) to Three Kingdoms (220-280) period
Culture
Chinese
Persistent Link
https://hvrd.art/o/204349

Location

Location
Level 1, Room 1600, Early Chinese Art, Arts of Ancient China from the Bronze Age to the Golden Age
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Physical Descriptions

Medium
Cast bronze with integrally cast auspicious inscription
Dimensions
Diam. 12.4 x Thickness 1.1 cm (4 7/8 x 7/16 in.)

Provenance

Recorded Ownership History
Grenville L. Winthrop, New York (by 1943), bequest; to Fogg Art Museum, 1943.

Acquisition and Rights

Credit Line
Harvard Art Museums/Arthur M. Sackler Museum, Bequest of Grenville L. Winthrop
Accession Year
1943
Object Number
1943.52.170
Division
Asian and Mediterranean Art
Contact
am_asianmediterranean@harvard.edu
Permissions

THIS WORK MAY NOT BE LENT BY THE TERMS OF ITS ACQUISITION TO THE HARVARD ART MUSEUMS.

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Publication History

  • Dorothy W. Gillerman, ed., Grenville L. Winthrop: Retrospective for a Collector, exh. cat., Fogg Art Museum (Cambridge, 1969), no. 059, pp. 64-65

Exhibition History

  • S427: Ancient Chinese Bronzes and Jades, Harvard University Art Museums, Arthur M. Sackler Museum, Cambridge, 10/20/1985 - 04/30/2008
  • 32Q: 1600 Early China II, Harvard Art Museums, 11/16/2014 - 01/01/2050

Subjects and Contexts

  • Google Art Project

Verification Level

This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced. For more information please contact the Division of Asian and Mediterranean Art at am_asianmediterranean@harvard.edu